Blog Archives

Podcast #001 Is Up NOW!

Hola!

We know you’ll be as thrilled as we are to check out the first episode of The Fangirl Perspective Podcast! Listen to us discuss the women of “Thor: the Dark World” HERE!

Harro.

Harro.

Leave us any comments below! OPINIONS!

 

 

Advertisements

What’s New, 52? – Mid December Edition

Hello, Fangirls, and Happy Holidays!

Let’s get down to business…

ToDefeatTheHuns-1

HUHN!

Excuse me. As always, Some reviews may be more expansive than others (because sometimes I just don’t care). Anywho, jumping right in:

REVIEW TIME:

Batgirl #25 – This issue was a “Zero Year” story, following Barbara dealing with a natural disaster in Gotham and all of it’s complications. Rather than this being a Batgirl story, we simply see a younger, pre-Bat Babs trying to protect her brother.

Batgirl and James

Y’know, the psychopathic one that she apparently killed a few issues back? Yeah, that one.

CopDad Jim Gordon orders them to stay in the house as he goes out to help and, like, five minutes later, another officer bangs on the door and orders them to evacuate. So, Barbara throws her whole life into a backpack and straps on a MOLLE/tactical vest because of reasons and she and James Jr. head to a local community centre/refugee camp. At this second location, while James Jr. bemoans the water leaking from the ceiling and Babs meets a behemoth of a man who assures her he’s but a humble gentle giant, the building collapses into a massive sinkhole and Barbara proves that climbing the rope in gym class really does have real-world applications and she climbs to safety, even occasionally diving back into the water to save people in what is an obvious and desperate cry for help, herself.

All the red flags... I can't even.

All the red flags… I can’t even.

She almost slips and the Giant saves her. The group begins to hop along across rooftops, keeping moving because building inspectors don’t exist in Gotham City and every-fucking-thing’s about to collapse. Of course, inevitably, the group is separated when Giant Guy is crossing and the steel ladder  they’ve been using as a bridge inexplicably collapses (because that happens). He urges the others to throw their belongings across the gap so that they themselves will be lighter and he can catch them when they jump… Then he promptly apologizes for his impending douchebaggery and makes to abscond with their treasures. Barbara sees him hoist the bag which has her most treasured shit she threw into a sack on her way out of the door and it leads her to leap across the gap between roofs and tackle a man she admittedly couldn’t possibly take on. She promptly defeats him by throwing him off of a roof after, of course, letting go of the material possessions she tackled him for in the first place.

I'm sure this is supposed to appear heroic or hopeful or some other bullshit...

I’m sure this is supposed to appear heroic or hopeful or some other bullshit…

The issue ends with the group of survivors on this last rooftop (don’t ask me how they all got across). That’s right. It ends. Just like that. So, we learn that Barbara is insanely lucky, kind of stupid RE: self-preservation, and anti-materialistic at the flip of a hypocritical switch.

Not the finest issue and I have no idea why there needed to be a break between issues of a single arc.

——

Batwoman #25 – “Zero Year” continues. Kate Kane travels home from West Point to Gotham to attend the funeral of her murdered uncle Phil. Cameos by Alfred and Bruce ensue, the latter speaking with an old-timey formality about justice and criminals and all that jazz. As a storm is rolling in, she decides to sneak out and take on some burglars and would-be murderers. She does so, saving a young boy in the process, and catching the eye of a fresh-faced Sawyer when the police arrive. Aaaand that’s pretty much it. So far, all of the Zero Year stories have been pretty mediocre…

——

Birds of Prey #26 – Another “Zero Year” story, this time following a young Black Canary before the fishnets. She was homeless, abandoned, dumpster diving, until a martial arts instructor found her and trained her. She eventually took over his dojo, but a disaster in Gotham (not sure if it’s the same one from Batgirl) ends with the building burning to the ground. She isn’t there until it’s too late to salvage, instead fighting off looters and ninjas, but she is saved from a return to life on the streets when some dude from the government who she’s just met up and offers her a job. Another issue with very little in the way of substance.

——

Catwoman #25 – Fuck me. “Zero Year.” HO-kay… Selina Kyle is a petty thief who snatches some douchebag’s backpack, only to find it full of rock-climbing equipment (including a grappling gun, somehow). The stuff is valuable, but she can’t sell it because a bad storm is rolling in and bitches only wanna buy food, water, fuel, etc. Her local grocery store is run by a good man named Mr. Archuleta who Selina actually consciously refuses stealing from, since he’s up at the front of the store, imposing a ration so that everyone will at least get something. Of course, an insanely wealthy man named Arnett Crocker shows up in person with two goons to load up everything in the store into a single black van so that he can throw an end-of-the-world party for his rich buddies. Selina tries to stop him by scratching one of the goons in the face, but end up being socked in the face.

Incidentally, she rather consistently does NOT know what is good for in this issue...

Incidentally, she rather consistently does NOT know what is good for in this issue…

As would we all in this situation, a completely green Selina uses the rock-climbing equipment to infiltrate Crocker’s party from the rooftop. She arrives and changes into a long black dress with an impressive slit and her hair done up and introduces herself to the shindig’s host. On the way, we pass familiar faces like Oswald Cobblepot (the Penguin) and Basil Karlo (Clayface).

Her inner monologue claims to throw up in her mouth. She's not alone.

Her inner monologue claims to throw up in her mouth. She’s not alone.

Crocker tkes her towards one of his “back rooms (blech),” passing throw a masquerade of escorts in various costumes, a casino room, a circus room for some reason… But their walk is interrupted by the goon Selina scratched earlier telling the boss that “that guy” he’s expecting is here. He doesn’t recognize Selina, and she watches through the peephole to see exactly what kind of exchange is happening behind that closed door. Crocker presents an unknown buyer with a selection of prototype batteries, stolen by Black Mask the previous week. They are what is powering his entire building at the moment… But Selina’s eavesdropping is interrupted by the reappearing of the goon (not wearing the bandage he sported in the previous shot and also having no scabs in a moment of lazy colouring).

Crocker orders her death, and Selina teases that the dress isn’t the only thing she found in the back room…

Why would you choose such an awkward weapon if you have no experience with it?!

Why would you choose such an awkward weapon if you have no experience with it?!

She disarms the goon with the knife and the buyer with a gun and catches Crocker around the neck with her new toy. She inventories herself as she ties the men up and swipes the batteries, turning to find– .

Is this even a question?

Is this even a question?

She uses the batteries to power her own block (including Archie’s Grocery), and muses on her own lack of mad skillz, but looks towards practicing her craft of master thievery. Of all of the “Zero Year” stories, this is probably the best, and that’s really something considering how much I don’t enjoy the regular Catwoman series issues. There was an origin, a conflict, and a resolution. Y’know, like there really should be in a one-shot. Of course, just because something is entertaining doesn’t mean it’s necessarilly good, as Selina’s inner monologue constantly noting the fact that she’s inexperienced, winging it, and generally a poor decision-maker is pretty awkward. Like, why are you doing this, then?!

Next month’s episode is teased with the tagline “Catwoman at ROCK BOTTOM!” See you, Selina.

——

Earth 2 #17 – This being the Fangirl Perspective, we are focusing on the character of Lois Lane in this series, even as her consciousness has been downloaded into the Red Tornado. Soooooo brief recap: Superman is brainwashed and evil. He is tearing shit APART, and the only thing stopping him from drilling into the army base like wet TP is the Flash. The speedster’s brilliant plan?

I THREW A ROCK AT HIM! ...It was a BIG one.

I THREW A ROCK AT HIM! …It was a BIG one.

Below ground, Major Sato faces off against Batman OR DOES SHE? It turns out, this cowled man isn’t Bruce! He is, however, super strong and apparently invulnerable and, just as we’re about to find out who he is, RedTornado! Lois shows up to pry him away from Sato.

SUPER sad face...

SUPER sad face…

Sato shoots Batman in the head, he survives, and goes to free Aquawoman from one of many shady-ass stasis pods used to detain criminals and enemies of the state (more on that later). Half-way around the world, the Flash is leading Superman on a foot chase, but evil Supes uses Darkseid-style unnecessarily-bendy-heat-vision to knock him over, then swoops in to grab and crush his ankle, and then return to the Arkham Command rubble to capture Mr. Terrific and Co-Commander Sloan for Apokolips.

I want YOU for the Apokolips Army!

I want YOU for the Apokolips Army!

Back underground, Batman is freeing his second of three targets from a blacked-out canister, telling Lois that it’s been blacked out to hide the atrocities of the world army. It turns out to be a young Jimmy Olsen, the solitary force behind a hacker group called “Accountable” that systematically released classified government records. Hooray for social commentary! Jimmy takes it pretty well in stride that he’s waking up from stasis, seemingly actually relieved that it’s not the year 3000, hello Futurama reference. He asks if any of them has a phone.

Of course Sato has one... Haha, Asians...

Of course Sato has one… Haha, Asians…

Jimmy sees that Parademons are invading from fire pits all over the world, and Batman veers off from the group towards his third target, even as Aquawoman (who hates that name, BTW) urges them to leave. Batman moves purposefully towards the Joker, suspended in his own tubey chamber thing, and Sato moves to intercept; she will not let him release such a monster. But Batman has another idea and reaches for a GUN on his utility belt.

Oh, Lois. He WANTED to see that! The only thing that would make the moment better for him would be if there were boobs involved!

Oh, Lois. He WANTED to see that! The only thing that would make the moment better for him would be if there were boobs involved!

Now, with a bloodied and SUPER dead Joker left behind, Batman is ready to lead an independently capable group of strong women to battle an unstoppable force, even though nobody knows who the fuck he is behind that cowl (although I’m betting Jason Todd, somehow, ’cause of guns and stuff).

I actually mildly enjoyed the issue. This series is promising, although I have to wonder how long this ongoing series is going to be, as well as whether we’re going to see any interaction in the Batman/Superman/World’s Finest crossover next month… It really helps that this is an alternate universe; I don’t care quite as much about discrepancies since it’s not the main universe… Come to think of it, they should just go ahead and reveal that the New 52 is just an alternate universe and the old universe is still out there! You’re welcome, DC.

——

Harley Quinn #0 – I have NO fucking idea what I just read. Panel after panel of breaking the fourth wall, wherein Harley realises she’s in a comic, wants to pick the artist herself, and writers Palmiotti and Conner talk to her all along the way. The comedy fell flat, the name-dropping intolerable, and Conner’s complete Mary Sue moment really ruined this for me…

Please. This wasn't cool when BATMAN did it.

Please. This wasn’t cool when BATMAN did it.

Let’s hope the first actual issue is worth my time.

——

Supergirl #025 – This is part 3 of the “Krypton Returns” trainwreck storyline. Supergirl is in the clutches of H’El, her evil ex-boyfriend (gag) who is still fucking trying to resurrect Krypton at the expense of Earth/the Universe/whatever it is this time. She bemoans his betrayals and bitches about the Kryptonite poisoning, then hits him in the face and picks up a spear, and through these couple of pages, we see three awkward shots of her ass.

SUPER-WEDGIE.

SUPER-WEDGIE.

Also, in this issue, Superman muses on the bittersweet moment he got to meet and speak to his biological mother (but his thoughts are interrupted by his uniform changing due to time-travely hijinks and the appearance of some unseen character mocking the change), and Superboy battles a weird-ass version of the Eradicator* as a slightly younger (and much more lively/much less angsty) Kara Zor-El is kind of useless, but at least she doesn’t hate Kon yet. Superboy can’t kill him, so, instead, he punts the Eradicator into a portal and the creature thunks straight into Smallville, Kansas.

Aw, he gets a hug! ...Before they kill him off and replace him with Superboy Prime and Kara goes back to indiscriminately hating all clones.

Aw, he gets a hug! …Before they kill him off and replace him with Superboy Prime and Kara goes back to indiscriminately hating all clones.

H’El shows up at that moment, trying to kill Kon, even as he is simultaneously fighting Supergirl in another timeline. Both heroes are able to figure that out, and the two try to take advantage of that fact. BUT! Before Supergirl can prove that she isn’t totally useless, an alternate timeline version of Kon tackles H’El and Supergirl makes the giant-but-apparently-accurate leap in logic: “When I defeated Kon, did I become their leader– And now it’s the tribal instinct of the clones to protect me?” H’El, who already has gone on about how he’s not Kryptonian and how he’s a singularity, is outraged at the clones’ behaviour, so… I guess H’El is a clone?

In the very last panel, Supergirl has hoisted a spear (and is holding it backwards) and is about to engage H’El as her randomly devoted, face-tattooed clone army cheers her on. The suspense is killing me! Will Kon survive? Who was talking to Clark? Just how useless is Kara? What of H’El or the Eradicator? Will I care?!

Tonight! We dine! In H'El! ...Wait.

Tonight! We dine! In H’El! …Wait.

*(SIDE-NOTE: He refers to himself as the embodiment of entropy, but he also maintains that he is going to ensure that everyone who is going to die on Krypton is going to die on Krypton. HOWEVER, entropy is a decline into disorder. Death is not disorder. Death is perfect order. So, basically, bad writing strikes again.)

——

Superman/Wonder Woman #2 – *Swallows the vomit* Okay, let’s get this over with… The issue picks up where last left off, with Diana and Clark saving a ship or something (who remembers?) but the former being sidelined by a punch to the face from (drumroll, please) — DOOMSDAY! For those who maybe weren’t aware, Superman never died in the New 52. He and Doomsday have never met let alone come to blows. So, the first to meet the monster is Diana, who is promptly suckerpunched and has both of her arms broken.

An inauspicious start to what is sure to be a life-long friendship.

An inauspicious start to what is sure to be a life-long friendship.

There is a moment here where the Amazon thinks to herself, “Okay, your arms aren’t your only weapons, you can fly, etc.” But we never get to see that pan out because the issue takes an awkward jump to Superman placing the ship he’d previously lifted out of the water back into the water. He asks her if she’s alright, and she responds with something along the lines of, “Oh, yeah, totes. I mean, my broken arms are already healed because I’m a bastard child of Zeus and stuff.” But she does remark about never having been hit that hard. Superman takes her to the Fortress of Solitude (TM) and a page and a half of exposition later, we find that the Kryptonians had imprisoned Doomsday in the Phantom Zone, but that the barrier between ours and that dimension must be weakening. What that would make Doomsday appear on Earth instead of Krypton, I do not know. Clark worries, but Diana places a reassuring hand on his giant pectorals and tells him that he is going to win because he’s not just mighty but also a good ol’ Kansas farm boy… With a fucking demi-goddess for a girlfriend.

Yeah, bitch, what use were you last time? Now you're gonna be Superman's sidekick?!

Yeah, bitch, what use were you last time? Now you’re gonna be Superman’s sidekick?!

In the next scene, Diana has taken Clark to see Hephaestus about weapons, and their conversation alludes to him possibly constructing a suit of divine armour. Their scheming is interrupted by Apollo and Strife, who then proceed to belittle Superman just like my family at Thanksgiving the Greek gods are known to. Apollo calls Superman (due to his Alien heritage) an inhuman “thing” and says it doesn’t even bother him who Diana chooses to “slut around with.” Superman asks Apollo to clarify their definition of “god” and, satisfied, tells Apollo that he’s glad that he won’t have to hold back if the new ruler of Olympus disses his boo-tay like that again.

Super bitchslap, super satisfying.

Super bitchslap, super satisfying.

Then we see a brief moment of Cat Grant from the Daily Planet leaving him an angry voicemail… So, I guess Lois and Clark can’t even be partners in journalism.

Fuckers.

Ahem. So, Diana freaks out with a massive “NO!” because Clark’s been slapped into one of the vats of molten something-or-another in Hephaestus’ forge, and Strife delightfully says that she’ll never see Superman the same, strong way again after that TKO. In a moment which I’m sure is meant to be much more impressive, Clark emerges from the fire pit and socks Apollo on the jaw. The god of the sun is knocked back and down… But not ACROSS THE FUCKING ROOM like a certain bro from Krypton. Apollo then blasts Clark with, I dunno, a ray form his face (like ya do), but Clark emerges all glowy because, y’know, sunlight.

Last issue, she pulled a knife. This issue, he roughs up her brother. This is TOTALLY a healthy relationship.

Last issue, she pulled a knife. This issue, he roughs up her brother. This is TOTALLY a healthy relationship.

Apollo takes himself a pounding and Clark returns to politely thank Hephaestus for his help. Strife, in the background, gushes. Meanwhile, in Wonder Woman, she’s sworn to kill Diana and stuff, but let’s ignore that for comedy that is misogynistic and falls utterly flat. After all, this is New 52 DC.

She IS a god. One of MANY. Why would she SAY "god," in the singular, as an exclamation?!

She IS a god. One of MANY. Why would she SAY “god,” in the singular, as an exclamation?!

The issue wraps with a bunch of guys on camelback in the desert being ripped apart by something unseen… And the apparent return of General Zod. And me snoring.

RRRRRHHHHHHHAAAAAAAAAARRRRRRGH! Indeed.

RRRRRHHHHHHHAAAAAAAAAARRRRRRGH! Indeed.

——

Wonder Woman #025 – Strife commissions a weapon to defeat Wonder Woman and Hephaestus provides her with what looks like a single, red-hot nail. Hephaestus, even though he made the thing, is skeptical, but Strife looks super psyched. Meanwhile, Cassandra is on flying metal cockroach of a plane and using Ol’ What’s-His-Name to find baby Zeke (because, obviously, he’s a child of prophecy and destined to be ultra powerful).

This is What's-His-Name. I seriously cannot remember his name, nor can I be bothered to remember it.

This is What’s-His-Name. I seriously cannot remember his name, nor can I be bothered to remember it.

Hermes and his weird-ass chicken feet are creeping all over Diana (dressed in a burlap sack but still wearing her tiara in public), Hera, and Zeke’s-Mom-Whose-Name- I-Also-Forget as they eat lunch and discuss how mortality made Hera a shit ton less crazy. Suddenly, Orion zooms overhead and announces that they’re under attack. He fries the tree that Hermes is leaning against and the two fight TO THE DEATH– Except for that they don’t because Strife shows up to giver her condolences to her brother, mother, and “baby sister” Diana amongst all of the fucking oblivious mortals just eating their sammiches and shit. Diana apologizes for Ares’ death, and Strife’s pretty much like, “Psh. Yeah, sure you are, skank.”

What a good daughter..!

What a good daughter..!

In a quick scene, we see Dio serving bits of a still living and conscious First Born to Apollo for dinner, because why not? We then return to Diana’s apartment (where that severed head is still on the mantle) and Strife is giving out presents AND THERE ARE BALLOONS! She has brought Hera the peacock feathered cloak she wore as queen of the gods, making her mother sort of sadly nostalgic, and has brought War’s horned helmet to Diana. Diana calls her a bitch and it rolls off of Strife’s shoulders as she gives the last gift, a magic spider-silk blanket for baby Zeke.

Back on the airship with Cassandra, she reveals that she, too, is a demigod, and then What’s-His-Face goes nuts and talks to no one as warthog- or dog-men chill out underground with video screens in a single, unexplained panel.

Back in the apartment, Orion has a temper tantrum because Diana won’t let him fight Hermes in her living room and Strife watches on with an amused smile.

Drinkin' champagne out the bottle...

Drinkin’ champagne out the bottle…

Sriracha Siracca blows in through the window and warns Diana that Milan (HA! That’s What’s-His-Name’s fucking name!) is being held captive by Cassandra, that he loves her, but that she’s torturing him, etc… Orion and all of his testosterone use the distraction to open up a BOOM Tube and Diana asks Strife to keep watch as she, Siracca, and Hermes travel to Chernobyl to save Milan from Cassandra. Strife is confused by the notion of Diana’s trust in her, but when Zeke’s mom re-entres the room, we see that their journey to Chernobyl apparently falls right into Strife’s plan.

No sign of that nail thingy... YET.

No sign of that nail thingy… YET.

——

World’s Finest #17 – This issue felt very much like filler. I’m still holding out for the crossover with Batman/Superman in January, but the past few issue shave fallen very flat. In this issue, Karen’s trying to find the silver lining of her still-fluctuating power levels by… Getting a tattoo?

How can this man be confused when everybody and their grandma has superpowers (unless their costume has pointy ears)?

How can this man be confused when everybody and their grandma has superpowers (unless their costume has pointy ears)?

Right, because she’s a tremendously successful business woman and getting another distinguishing characteristic is gonna be great for the maintenance of her secret identity.

We also get this completely realistic moment where Karen pulls down Helena's pants to reveal HER incredibly telling tattoo in public!

We also get this completely realistic moment where Karen pulls down Helena’s pants to reveal HER incredibly telling tattoo in public!

Speaking of which… While Helena is off trying to track down a coincidentally heavily tattooed murderess avec les pouvoirs super, Karen has decided that now would be a good time to go for the ultimate sunbath, hitching a $10 million ride on a shuttle to Right-In-Fucking-Front-Of-The-Sun, where she promptly strips down in front of the shocked pilot and goes for a little space walk.

He's looking right at her boobs...

He’s looking right at her boobs…

So, Helena’s trying to tackle this tattooed chick who, by the way, has tattoo-related super powers… And Karen’s sunbathing takes a bad turn when she apparently overloads. This, for some reason, sends her falling back towards Earth.

In space, no one can hear you "SWOOOOSH!"

In space, no one can hear you “SWOOOOSH!”

Karen conveniently lands in the water that runs under the bridge that Helena is also conveniently fighting a low-grade supervillain atop… And the impact distracts Helena so that she can go to her friend and comrade’s aid and so that Tattooed Chick can run away to fight in another issue. Whoo…

How is the water around her not boiling, then?

How is the water around her not boiling, then?

I actually had lots of pictures to attach to this review, but so little happened in this issue that I had to go back through and make sure that it was a full issue! This series opened a lot stronger, I feel, and I need them not to coast. The crossover needs to be amazing, because I’m considering dropping a lot of books and, until now, World’s Finest wasn’t among them.

Also, SUPER crazy about the product placement for "Man of Steel" in the background.

Also, SUPER crazy about the product placement for “Man of Steel” in the background.

What happened to you, DC? You used to be cool.

That’s it for the reviews this month! See you next time, Nerds!

What’s New, 52? – November 2013 Edition

Hello, dear readers, and welcome to “What’s New, 52?” Here I plan to discuss recent comic book releases and news in the DC universe with a focus on female heroes and supporting characters.This week, we start with a review of Wonder Woman #25, then a few bullet reviews, and wrap it up with comic book news and opinion on some of the more recent teasers and previews.

Review: Wonder Woman #25: Entre the Goddess of War

20131110-181309.jpg

Horses and furs and still all of the leg! Shit looks like it’s gonna chafe.

The New 52 incarnation of Wonder Woman is a significant departure from Classic Diana Prince. In her previous origin, Diana of Themiscrya is daughter of Hippolyta, Queen of the Amazons, an immortal race of warrior women living on an Island Paradise, protected by Hera from the world of man. She has no father, instead having been sculpted by her mother out of clay from the island and breathed into live by the queen of the gods. In the New 52, the gods of Olympus are warped, keeping more in touch with the gods of Greek mythology, but Wonder Woman’s origin has been changed to align more with a well known cliche. Diana is now simply another bastard child of Zeus.

But let’s simply gloss over the defeminization of the character by taking a totally independent female character and reworking her origin story to make it dependent on a man (and a womanizing chauvinist of a man at that).

Right. Glossing.

A prophecy had been foretold that one of Zeus’s children would die at the hand of another, and Wonder Woman seems to have been the instrument of this prophecy. Per the events of Wonder Woman #24, Diana is now the Goddess of War, holding a seat on Olympus under the new King of the Gods, a to-date highly duplicitous Apollo.

You see, last issue, Wonder Woman was made to kill Ares, the god of war, and so now, because the transitive properties of “The Santa Clause” apparently work in all aspects of the divine, she is now expected to become him.

Why does Santa's stomach have a camel toe....?

That’s right. TIM ALLEN IS WONDER WOMAN NOW.

The old War is dead, she killed him, and is now the new War. In comics past, she and Ares have always been at odds because, even though the Amazons are a warriour people, they don’t revel in it; they do it out of duty and honour, and often enough just to stop some bad shit from going down. Apollo expects her to sit with them at Olympic board meetings and such so that they can vote on the colour of the paper for the new newsletter or something. She, because her senses of justice and compassion and her respect of the value of life, wants nothing to do with the position of “War.”

She also wants nothing to do with her relatives themselves, but that might be because it's a big, fat Greek family...

She also wants nothing to do with her relatives themselves, but that might be because it’s a big, fat Greek family…

Meanwhile, a mortal Hera is sharing as apartment Odd-Couple Style with Zeus’s latest booty (whose name I forget but who named the baby Zeke in case we weren’t sure that she was white trash after we initially meet her soliciting sex at a truck stop).

wonderwoman24-herainteriourdecorator

Extreme Make-Over: Hera Edition
Yes, that’s Diana’s half-brother’s severed head on the mantle as decor.

As Diana tells Apollo off and Apollo coolly tells Diana that she’s got no choice, the traitorous Hermes, who feels bad about what he did but is more visibly hurt by the women’s rejection of him, takes Diana home. The comic closes back on Olympus, where Strife, despite her major c-word attitude this whole time, apparently took it personally and is planning to take Diana da fuck out. Bitch is all over the place.

Just like a woman.

Just like a woman.

So, next month, it looks like Strife is going to be battling Wonder Woman for the seat of War on Olympus. Wonder Woman will probably defeat her, because losing would mean death and the series is going to keep going, so… I also don’t see Wonder Woman straight up killing another god, so she’ll probably remain War for a while while Strife pulls back and tries to make her life hell.

I will admit, I am actually a little intrigued by the idea of Wonder Woman, one of DC’s most compassionate characters, having to deal. Will she suddenly start gaining power when people fight amongst themselves? Will she kinda like it? Or will she instill aggression in those around her, even without being conscious of it? Brian Azzarello is a good writer, and hopefully he does the premise justice.

On the other hand, I hope to editor at DC don’t use this as an opportunity to sully yet another one of their most iconic characters, and really the only female character who isn’t just becoming an awful person on the brink. I think she’s going to get a little darker, at least for a little while.

Time will tell.

Oh, gods...

Oh, gods…

Bullet Reviews: 

Alright. A brief summary and my opinion in a paragraph and a picture or less. Remember, this is only for books with strong female protagonists (not too many team books).

Batgirl #24 – Babs’ dad done just shot her boyfriend. She’s understandably upset, but to stop her father from being murdered by a group of super-powered hitmen hired by a crazy heriess, she is forced to put the costume on one more time… Which we, of course, know won’t actually be one more time.

She missed a golden opportunity to punch her dad for sporting that mustache all these years. Mustaches are TERRIBLE.

She missed a golden opportunity to punch her dad for sporting that mustache all these years. Mustaches are TERRIBLE.

Batwoman #24 – Batman cameo. Lots of classic Batman rogues. Lots of action. I can’t get past Batwoman’s white white skin.

Bird of Prey #24 – Batgirl and some chick I’ve never heard of have to rescue Black Canary and some other characters who don’t really matter… And here I thought that the whole purpose of the reboot was so that every book could line up their timelines properly. Silly me.

Catwoman #24 – WHY ARE PEOPLE PASSING AROUND THE JOKER’S FACE! I still don’t get the reasoning for him having it cut off in the first place, let alone bitches wearing rotting skin pinned to their own faces.

...We ain't your girlfriends.

…We ain’t your girlfriends.

Earth 2 #17 – Lois Lane’s consciousness has been downloaded into a lady-version of the Red Tornado robot. She was dead in this universe, but now she’s a hollow shell of the strong woman she once was, and the man she loves is a brainwashed mass murderer. The New 52 ain’t doin’ my girl Lois right. She’s been resurrected with the sole purpose of talking down the marauding Man of Steel. And then her dad dies in her arms. Hm.

Supergirl #24 – Daddy issues.

Manifesting as your childhood form and crushing the cybernetically enhanced yet inexplicably brunette villain made out of your old man... Yeah.

Manifesting as your childhood form and crushing the cybernetically enhanced yet inexplicably brunette villain made out of your old man… Yeah.

Superman/Wonder Woman #1 – Let’s talk about our relationship, intercut with scenes of a really anticlimactic battle/rescue operation. Oh, and even thought you’re going to approach our date with an awkward, boyish charm, I’mma totally pull a sword on you because that’s the basis for a healthy relationship that seems stable and should continue. I can’t even.

World’s Finest #16 – Power Girl’s powers are going haywaire like Karen Starr circa 1997, so recycled ideas = angry Patty. I do like the book, though. I’m just really waiting for something big to happen here. A lot of this comic seems like filler, but I know that next year, they’re actually going to meet Batman and Superman in the most uncomfortable pseudo-family reunion since… Well, any of my family functions.

I bet this power failure is going to lead into their meeting with Batman and Superman.

I bet this power failure is going to lead into their meeting with Batman and Superman.

NEWS OF THE WEEK: Sorry, Supergirl; Red’s Really Not Your Colour

The big news this the past few days for female DC superheroines seems to be that Supergirl is going to be inducted into the ranks of the Red Lanterns.

SHE STILL CAN'T GET AWAY FROM THOSE BOOTS.

But, finally, her boots cover her knees!

That’s right. Supergirl is going to barf up acid blood, her shiny red ring is going to cut out her heart, and she’s going to be a Kryptonian powerhouse with unstoppable, irrational rage.

Awesome.

Except… Oh, wait. No, it’s not. It’s just more of the same “gritty” bullshit that DC has homogenized their Universe UNIVERSES into for the past two years.

The New DCU seems to just me mired in negativity. And, while I realise that heroes are more realistically going to have more bad days than particularly stellar ones, it’s just not something that I want to read. I can see it in the Bat-Books; Barbara Gordon’s personal life and crime-fighting persona taking hit after hit jives with the whole of Gotham City. Gotham is an admittedly terrible place to live and has been so for pretty much all of it’s written history. The criminals are always looking to up the stakes and even the lowliest thug would love the chance to try and take out a member of the Bat Family. That’s established. And that’s going to take a huge toll on a person who’s not as balls out crazy as Bruce Wayne’s night-time alter-ego, so Batgirl’s losing it I can see.

Oracle_Barbara_Gordon

Babs would make a TREMENDOUS villain. Like, nigh unstoppable.
She was a bad bitch in a wheelchair. Clearly, nothing can stop her.

But this isn’t the case with the Super Books. At least, pre New 52, Metropolis was a decent place to live. Clean, high-tech, prone to supervillains, and sporting a neighbourhood called Suicide Slum, sure, but the murder rate is way below that of Gotham. Plus, over it all, Metropolis has their golden boy, the Big Blue Boyscout. His little-cousin-who-is-actually-older-than-him also lives there and is struggling to find her place on this strange new planet and discover the hero within– Except that none of that is true any more, either, is it? Superman’s either a superpowered douchebag (which of course we need in the world) in “Action Comics” or he’s standoffish and dating Wonder Woman for no good reason.

The sex IS probably amazing, but I REALLY hate this pairing.

The sex IS probably amazing, but I REALLY hate this pairing.

And Superboy is being replaced by his murderer, the biological child of Lois and Clark from an apparently alternate future who happens to be completely batshit crazy and no one is going to know the difference. BeeTeeDubs, Marvel did the same fucking thing a couple of months ago with the “Superiour Spider-Man” title, and I dropped the book after two insufferable issues.

But I digress.

According to Wikipedia, a Red Lantern’s rage is specific to the rage felt after a significant loss. What more, though, can she lose at this point? Is this going to be like The Walking Dead, where every time there’s a new character, I’m going to have to be prepared for them to be killed off unceremoniously? If it turns out that this sense of loss that fuels her transition into a RL is the loss of Krypton, I’m gonna barf. Why is she mired in this? I mean, I understand. She lost her home, her family, she’s an even more petulant version of Katie Kaboom, etc.

BTW, apparently there's a stripper named "Katie Kaboom," so be careful what you Google Image Search...

BTW, apparently there’s a stripper named “Katie Kaboom,” so be careful what you Google Image Search…

But does the editorial staff at DC really think that it’s good writing for your character to be stunted for MONTHS? Oh, no, wait. TWO YEARS! My personal experience with comics is that my favourites have been series which establish a good selection of supporting characters for their protagonists, and when said protagonists display signs of steady growth as a character. Hell, that’s why Spider-Man was such a great success from it’s launch way back into the before time. Peter Parker was the draw! He was a person that the fanboys could se into the life of, that wasn’t this hyper powerful, unattainable figure but rather someone with whom they could relate. The character becomes that much more compelling, and that’s why I’m stalwart in my opinion that Peter David’s Supergirl run from ’96 through ’01 was the best iteration of the character since pre-Crisis Kara moved to Chicago and got an apartment and went to college LIKE A PERSON in the Daring New Adventures of Supergirl (1982-1984).

SUCH a good series.

SUCH a good series.

“But Patty,” you gasp, “Surely this is only a temporary gimmick, anyways! Why are you getting so upset?”

Well, see, I do figure that it’s going to be a temporary situation, what with her having her own series to star in and all. My issue is that Red Lanterns… Are mindless. This either means that the story will be unintelligent, full of mindless destruction and shock for the sake of shock value (whoopee), or it means that someone will be manipulating her and her rampage.

Been there, done that.

Been there, done that.

And I’m getting upset because I’m a fangirl. We’re either panicking, swooning, glomping, or raging.

We know that love isn’t the answer (sorry Harry Potter), as feeling love will kill a Red Lantern (because SCIENCE). Also, removal of the Red Lantern ring causes instant death for the (former) wearer, unless there’s a Blue Lantern there to slip a Blue Lantern ring onto their finger first. Are there any really cool Blue Lanterns left? I can’t think of any. And I also doubt that almost anybody would be able to get in close enough to a rage-a-holic Kryptonian with a power ring to slip a second ring daintily on their finger. Even if somebody does turn her into a Blue Lantern, it’s going to be such a hard 180 that I’ll have a hard time buying it, personally. Plus there’s the fact that nobody’s been de-Red-Lantern-ed without at least having some lingering effects from their own incredible toxic and corrosive blood substitute…

So, y’know, assholes with anger issues are always great. Oh! Hey, since we’ve run out of ideas anyways, remember the 90s? Remember how much everybody loved Guy Gardner before they found a way to rationalize his irrationality?

I don't know the context of this picture... But I see it.

I don’t know the context of this picture… But I see it.

Ahem. Okay.

I’m better now.

The point is, I’m going to read it. I’m just worried about having to read through something that’ll make me so mad that I’ll suddenly find myself with a red ring of doom stuck on my ring finger…

I don't care if it DOES fit my personality very well!

I don’t care if it DOES fit my personality very well!

Thanks for reading through my ramblings, and be sure to come back mid-December for another installment of “What’s New, 52?” in which we’ll (probably) be focusing on the upcoming release “Harely Quinn” #0.

Later.
–Patty.

Girly and geeky?

When it came to writing a blog I had no idea where to start.  What does one write about that other people will care about? That they will actually be interested in reading?  It had been suggested that to write a blog so people could get to know me better.  I have bio up on the site, I have a twitter and tumblr that everyone can view and follow.  We will be having a podcast going eventually.  I figure you will have many opportunities in the future to get to know me; I am going leave some mystery for now.

The whole getting to know me better did get me what makes me different from other fangirls?  Or at least what makes me different from the rest of the group.  That answer is actually rather easy I am a girly girl.  I love the color pink, getting dressed up, getting French manicures, and wearing high heels.  I am actually a girly girl who is also a geek/fangirl. The other amazing ladies of the Fangirl Perspective are definitely not like me.  They are not going to sit in the nail salon with me – well at least not on a regular basis.

I will admit that I would so get my nails done like this.

I will admit that I would so get my nails done like this.

You are actually more likely to see us in heated debated at the local comic ship.  I do wear heels more often then they do, maybe heels do comprise most of my shoes.  I might also have 2 very sexy Catwoman boots.  I am just different in that sense but I am still a geek/fangirl.   I have no problem being girly and geeky – I find it quite fun actually.

Being that I am an Event/Wedding Planner, I like throwing parties (again something that is pretty girly).  I would definitely throw a Hunger Games party since I am obsessed with that series.  (I might have already thrown a Hunger Games themed b-day).

Me doing archery for my birthday - they gave me the purple bow to use.

Me doing archery for my birthday – they gave me the purple bow to use.

Did you notice the pretty French manicure in the pic – yes I shot archery with nicely done nails and I did not break a single one.

I also plan in throwing a party to get ready for the Mockingjay part 1 and part 2.  Since I like to bake (another of my girly traits – don’t expect me to cook) I will probably bake these cupcakes for the party.  I will also make Peeta’s cheese buns, since I have done those twice now.

Girl On Fire Cupcakes. Found on the Hostess with the Mostess.

Girl On Fire Cupcakes.
Found on the Hostess with the Mostess.

That should give you some extra insight into me that I do not think you would have gotten from my twitter, tumblr or the podcasts.

Until my next blog,

Christena

Read the rest of this entry