DC is continuing to try and take over the airwaves, this time with a female-driven superhero show, and not on the CW/WB. It looks like we’re going to be getting a Supergirl TV series, and casting has already started.
Although Supergirl sounds like she’s being based on her silver-age origin rather than her New 52 incarnation (thank you, Jeebus), we’re also getting an original character that looks both interesting aaaaand pretty standard at this point:
According to photographer Adam Jay, this is the first image of Gal Gadot in her full Wonder Woman costume and make-up. This reportedly comes direct from SDCC.
It’s a little dark and not so great a resolution, so we’re going to withhold judgement for now. The costume looks good from what we can see, but we’re still not sold on Gadot in the part.
According to Nikki Finke, formerly of Deadline, Warner Brothers is planning to release over a half-dozen live-action movies based on DC Comics properties.
The schedule is reportedly as follows:
- May 2016 – Batman v Superman
- July 2016 – Shazam
- Christmas 2016 – Sandman
- May 2017 – Justice League
- July 2017 – Wonder Woman
- Christmas 2017 – Flash/Green Lantern team-up
- May 2018 – Man Of Steel 2
So, a couple of things from this. Assuming that this is accurate…
Apparently, Dawn of Justice is not Man of Steel 2. Man of Steel 2 is going to be a separate movie, released 5 full years after its first installment. That… Seems like bad planning. If/when fans have their little movie marathons, Superman’s going to be aging super-fast. How old will he be by the time the third movie comes out?!
And then there’s BatFleck, who has bulked up a bit, but who still faces a heck of a lot of nerdrage.
Also… Can we not just call it “Captain Marvel?” Are we so sure that audiences are so uninformed as to confused Captain Marvel with Marvel Studios? I mean… I guess, but I’m sick of people calling one of DC’s heaviest hitters by the wrong name.
Also, if DC darkens this character, too, I don’t know what I’ll do with myself.
How tied-in to the rest of the DC Universe is the “Sandman” movie going to really be? Is he involved in JLA shennanigans? It’d certainly be a shake-up, but I don’t know that I would like that. In fact, I’m pretty sure that I wouldn’t, unless the story were truly tremendous.
And speaking of movies that will need a fantastic story for me to really get behind them… GL and Flash? Yeah. I love Green Lantern (the characters, not the movie *barf*), but have little attachment to the Flash. I loved Bart Allen in Young Justice and that was the end of my association with the Speed Force.
But the biggest deal here for me, for my Fangirls, and for women and feminists everywhere is going to be the supposed Wonder Woman movie. Will it stay true to the comics, pre-DCnU? Hopefully, as the New 52 origin of Diana of Themyscira has been butchered to make the only truly independently female icon’s beginnings now based on a man.
Also, a few weeks ago, Gal Gadot posted a progress picture of her workout to her Facebook page, certain that her new buff body would finally silence all of the nay-sayers complaining about her being too thing to play the Princess of the Amazons.
Now, maybe it’s the angle. There is some bicep and deltoid definition there, but that’s a hell of a slim brachialis still, so I don’t think that this photo is going to quell any of those fans’ concerns. It certainly isn’t doing anything for mine… I’ve made no secret of the fact that I have little faith in the casting, and I should clarify that I don’t like pretty much all of the casting news that I’ve heard so far, but I am going to go into the movies with as unbiased an opinion as I can. After all, I was pleasantly surprised by Anne Hathaway’s portrayal of Selina Kyle in “The Dark Knight Rises.”
But, really, there is so much that they could do wrong with the character. The story could be garbage, the costume could be wrong, they could over-sexualize her, Gadot may not be a good fit for the character, they could put her together with Superman and make me hate them even more than I did when they cast Amy Adams as Lois Lane.
The one thing that Warner Bros really does have going for them is that all of their licensing falls under their own label, so they don’t face the limitations that Marvel has with respect to crossovers between Spider-Man (Sony), X-Men (Fox), and the Avengers and Guardians of the Galaxy (Marvel Studios).
Of course, Marvel is doing just fine for themselves and DC has been treading water since the mid-90’s.
What do you think of this schedule? Will it work? With WB already pushing back the release date of “Batman v. Superman: Dawn of Justice” by a years already, do you think that this schedule will actually be met?
Let us know in the comments!
Just as I was about to give up on the entire line of Batwoman, they throw this in my face!
Let’s dive right in.
Picking right up where last issue left off, Helena and Karen are sifting through the wreckage of Ken’s portal to Earth 2, and tensions are kind of high. Karen is certain that that was their home, and that Clark either needed her help or was faking being evil also because he needed her help. Helena insists that there’s a very good chance that it was just yet another copy of home, but Karen accuses her of not having the ability to admit when she’s wrong.
Agents of A.R.G.U.S. show up to confiscate the remains of the device, and the girls aren’t super keen on just given up a possible ride home. Told to put their weapons on the floor, Karen rips the concrete out from under them before Helena can even get all the way through her utility belt.
The girls take out the men pretty effectively, but they’ve got back-up. A tank is sent in and surely that will prove more of a match for– .
Now it gets a little bit weird, though.
Here begins a flashback sequel, with no preamble, but which spans several pages.
This vaguely Bat-family-ish girl is obviously attempting to untie herself, having been caught while on her idea of a miniature vacation, freeing a bunch of immigrants who have found themselves forced into sexual slavery and in the hands of a bunch of drunken hunters who look awfully well put together for hill folk.
But then she says something in her inner monologue about her dad spinning in his grave, plus it sounds like her mom is still alive and kicking, so maybe not.
Either way, she manages to make her way back into the cabin where the girls are being kept and attempts to fight off the men… While still bound at the ankles and with her arms behind her back. Needless to say, it doesn’t really go particularly well for her. One of the men knocks her out.
So, dude mentions wanting to lot leave traceable anything in autopsy, yes? So they are definitely going to kill this girl. Because, if nothing else, it would be terrible easy to do so now and to dave yourselves a whole lot of trouble later on, right? Right.
Except for not.
They leave her alive, and less restrained than before, with only one arm tied to a tree. Supposedly wolves will get her, but I can’t help but wonder why they wouldn’t either kill her or just add her to their selection of women to abuse..?
I guess I’m underestimating the chivalry of the average redneck mass rapist.
The wolves don’t get her, by the way.
She makes it back to the cabin and torches the place, watching from outside as everyone makes it outside, miraculously.
She catches the men off-guard and, this time without all of the pesky rope keeping her limbs tucked to her sides and useless, is able to defeat them.
Back in the present day, and still with no explanation of what the heck that was all about, Helena is dropped of at one of her safe-houses in Chicago while Karen heads off to New York.
Actually, in addition to eating all of the amazing regional food, Helena has swiped some kind of records from Ken’s base in Gamorra, and she’s intent on proving that she was right, that that was not their Kal and so not their Earth.
She seems to get her smoking gun, too, noticing something off in the background of a surveillance tape with a significantly less Darkseid-y-influenced-looking Clark than the one that they were just exposed to. Something in the background catches her eye.
Meanwhile, in New York City, Karen has just completed the process of getting StarrWare back under her control and in her ownership.
Her legal team has made a killing and her assets are impressive still, but she gives them a surprise order, apparently giving absolutely zero fucks anymore.
Karen flies back to Chicago to meet up with Helena again, and the Huntress bluntly admits being wrong to her friend. There is no embarrassment or blame taken or thrown around, just acceptance and moving on to the planning stage.
So, since that was their Kal, though, and Karen was right, and now they’re going to have a bajillion dollars to finance their efforts?
So, I’ll admit, that wasn’t where I had initially thought that this series was going to go. I figured it was going to be about two people struggling to find their place in a world so similar to the one that they painfully lost, all while dealing with doppelgangers of their loved ones and even of their selves, and that would pretty much be it. Now, I do still think that that’s the overall direction of the series. I think that their efforts to get back to Earth 2 will fail… After a point.
I think that they will make it back home. Briefly, but I think that they will. And then some shit will happen that results in them having to be expelled from Earth 2 or just having to come back to Earth Prime.
Or maybe they’ll end up doing a kind of a Sliders thing, and the Multi-Verse could open back up because of all of their efforts.
Ooh… That would actually be really awesome.
Either way, I do want them to get back home, at least for a bit, and if for no other reason than the fact that it’d be interesting to see how Karen deals with an evil Kal and a dead Lois reconstituted in the body of a fembot Red Tornado.
Of course, Helena kind of gets shafted in this deal…
But it should be an interesting read if I’m right.
And then there’s that whole flashback sequence there and its subject. Perhaps that’s a Huntress from a different world? A Bizzaro Helena?
Either way, we’ll be checking back in with the World’s Finest.
What are your thoughts on the direction of the series? Where will the girls’ efforts finally take them? Be sure to leave your ideas in the comments below!
Thanks for reading!
Picking up where last issue left off, this Earth’s evil Ken has opened a portal which supposedly leads to Earth 2, home for Karen and Helena.
Karen is none too pleased with the idea that this Ken is kind of a douchebag, and physically attacks him while sprouting… I wanna say bad poetry, maybe?
Red Lanterns #29 came out this week, continuing Kara Zor-El’s spiral into Red Lantern-hood.
We catch up with the RLs on Ysmault, two of the guys debating whether or not to test out this supposedly tremendously powerful weapon.
But they do have a pretty sturdy, and even eager target in mind.
Oh, hey. Lookey there. Something finally happens.
Hera’s still chilling at the winery where Dionysus and his soon-to-be-turned-into-pigs comrades were in the previous couple of issues, leisurely ordering from the menu.
Of course, the menu is more interesting than the ball of green glowing fire hurtling towards her. Understandable, really.
Since warning her would be ridiculous, the waiter dives out of the way while Hera is trying really hard to remember that she just wants, like, a Jack and Coke, of all things. And, of course again, the ball hits her.
Back in the woods, Hermes and Demeter are trying to keep on their hunt, since the Moon is a little bit OCD.
She feels a disturbance in the Force and just fucking knows that Apollo’s in danger or hurt or in some other Charles Barkley level of turrible trouble, so she asks Hermes to transport them to Olympus right away.
On the ship, one of the engines has been damaged by the explosion, and Zola is in there trying to rescue Dio… Who we actually don’t see at all in this entire issue.
So, yeah, Zola’s kind of bad at things. But it’s okay because Wonder Woman is holding the plane up!
But, as turns out, nobody is good at things, because Hermes gets them to Olympus just in time for Diana’s strength to crap out on her, sending the ship pretty much crashing down on top of them.
But, they are all on Olympus now… Or what’s left of it. And now everybody can be snarky to each other until they realize exactly what their current location means as far as, y’know, not dying goes.
NO! No. No. Look, I know that Greek mythology is just chock fucking full of incest, and that this was especially the case in the gods’ case, but I’m done with all of the incest in comics, movies, TV shows, and fucking fanfiction especially. I’m DONE.
But that’s a rant for another time.
Anywho, the hyena people start to flip the fuck out…
And nobody seems to have noticed that they’re standing on red, squishy, raw-meat-smelling ground. And cue the appearance of the First Born. I’ve got to say, he’s looked better.
Understandably, they’re not particularly keen on the idea of subservience to a monster, and Demeter in particular is pretty intent on that whole vengeance thing.
And I guess having no skin makes his veins weapons now, so he’s caught her and is sucking her energy away a la the Parasite.
Diana pulls a magic glowing bladed spear thingy out of… nowhere? And intend to also attack him head on.
And her attempts to be a baller don’t last very long, as she gets vein-drained.
And the monologue continues on, being way more painful than that whole imminent doom thing.
The First Born says that he’s learned something during his captivity, and that it’s that power, love, life, blah, everything ends eventually.
But, before he can up and end all of these assholes, the only person who is able to do any thing is the one person who’s been the most useless this whole, entire arc.
The return of Hera to power! Literally. Her display of mad power, which really shouldn’t be intimidating since Apollo’s power transferring over to Hera shouldn’t have amplified it and the First Born done walloped Apollo good, well, it makes the First Born book it.
They leave Olympus in the ruins is was already in, Apollo’s guts all over the place and everything, and head to who-knows-where, where nobody questions it because they assume that wherever it is, it’s gonna be safe, so fuck it.
They pop on over to Themyscira, it turns out, so that Diana’s pseudo step-mother can give her a gift.
The Amazons are back!
And I swear if this whole thing doesn’t feel like it just completely fell flat.
Like, “oh, hey, ladies, welcome back. I’ve nothing to say to you, despite the appearance in the comics so far that your petrification and the destruction of Paradise Island and I don’t even see my mom or any of my closest friends, but would you mind dying in throngs for me?”
And, Wonder Woman finally accepts her mantle, knowing that her denial has cost them until now. So, she’s not asking them as Princess…
So, whoopee, she’s a harbinger of doom, to take down a harbinger of doom.
And I still feel like nothing happened. Hera’s back to power, yes, and last issue saw Apollo dying to give her back that power, but this whole story is just creeping along so slowly that I really do find it hard to care about one of my favourite characters.
I’m hoping that something happens to get rid of this First Born dude sooner rather than later, because I need this crap to be done with.
We need a new story, or at least better pacing.
And for now, I’ll be keeping an eye out for a downward spiral of yet another DC character, since being the god of war is more than likely going to be a thing that affects her as a character, morals and all.
Plus this whole “dating Superman” thing isn’t helping.
Well, until next time.
So, here we are, picking up from last issue, and still behind Red Lanterns. But, this actually is a pretty decent issue. Not a slug-fest, not compeltely full of mindless growling and blood vomit, and a very cool, and little seen, glimpse into the brief time Kara spent trying to be a person on Earth.
It opens with a flashback. And all of Supergirl’s downward spiraling has happened in a single month, by the way.
On a cold, snowy day, we find Siobhan and Kara chilling in the apartment, using Kara’s heat vision to toast marshmallows one by one.
While Siobhan takes the whole thing in stride, just content to finally have a friend she can allow herself to keep because she can’t accidentally hurt her, Kara marvels at her ability to achieve such a fine level of control.
Siobhan waves her off and tells her to stick with her “and you’ll go places.”
Eventually, Kara does finish the marshmallow off, Cajun style, and rather than inciting a blood feud or another bout of self-loathing, they pair just laugh it off.
Cut to the present, where Kara is actively trying to kill her, and Siobhan has gone off to see if she can help… Somehow.
Like so many BFFS before her, she tries the first line of defense: talking down her friend who is clearly taking a breakup too hard/had to much of an intoxicant/probably both. The difference is that, most of the time, the drunk girl friend isn’t A.) Superpowered and B.) trying to sear your face off with their flaming acid vomit.
Siobhan is trying so freaking hard here, trying not to have to unleash the Silver Banshee, but Kara just won’t hear it.
Back in the Block, Dr. Veritas asks her army of non-clone-genetic-copies WTF is going on with Kara, and the news that she’s gotten a Red Lantern Ring sends her reeling. According to the good-ish doctor, a Kryptonian with a power ring is “an extinction level threat.” Which, yeah. Duh. Unfortunately, there is somehow a more pressing concern.
Blaze is on the loose, and since she was being both contained in a holding cell in a transdimensional research lab and prison, and she’s some kind of whatsis from hell.
Now, I don’t quite know who Blaze is, but I do follow a Supergirl blog where a post was dedicated to bringing us all up to speed on who in the actual Hell she is. Check it out here, if you’re curious. Of course, keep in mind that they may have changed her story up a bit for the New 52.
Anywho, back in Queens, it looks like Siobhan’s offer of friendship and help is about to crack that angry exteriour for a moment… Until the NYPD shows up and ruins everything.
Now, with all of the innocent bystanders (Innocent? Ha! It’s New York!) and the police at risk, Siobhan is finally ready to release the Silver Banshee.
And she’s also able to actually hold her own until she get’s punched into another burrough. She finds herself outside of her own apartment building, conveniently enough, and now she’s worried about her new roommate, since Kara would probably rip her apart without so much as the blink of an eye. Which, yeah, she probably would, since she would see the new girl as her replacement, because love and friendship, I’ve found, are seen as finite resources in the minds of crazy people.
But, either way, the interesting thing to note here is that… This bitch is conspiring against the woman currently, actively trying to save her life!
But, despite the battle raging on on the outside, and her attempts to do good both by her friend and by those her friend might end up hurting, Siobhan is still waging an internal war against the Silver Banshee demon (is it a demon?) trying to break free and take over.
Cut to another friendly time flashback, and we see Siobhan flipping out over Kara’s having cleaned their apartment. The woman has a system, and, really, those of us who lie a bit to the messier side of the spectrum can relate! My bedroom may be a mess, but I know exactly where everything is, and that’s not even a little bit of an exaggeration. So, I feel for Siobhan. I really do. But, again, the moment is easily fixed when Supergirl superspeeds the mess back into place.
In the present, her desire to get the fight away from the middle of Queens gets her to allow the Silver Banshee to unless a smidgen more of her power, allowing her to shift her pitch high enough to tear open a portal to an abandoned area, someplace in Oregon, I think. The fight goes on, and Siobhan ignores her worse half’s beckoning to allow her a little more control, even if it would lead to more power.
Then she gets punched in the stomach.
Meanwhile, in Queens again, sexy Lobo is up and staring at the smoldering wreckage of his beloved ship.
But the whole thing might not have been a total waste, because he’s pretty sure that he’s just gotten a lead on his doppelganger.
So, a third story seed has been planted now. Hmmm…
Finally, though, back at the fight and after an internal struggle between Siobhan trying to save her friend and the Silver Banshee’s selfish motivation for getting her host to realise that Supergirl is currently beyond saving, Siobhan can only get rid of Kara. After all, since the Kryptonian is so enraged and fueled by the desire for vengeance, the destroyer of her world isn’t going to be found on Earth!
So Kara flies off in a fury, and it’s just after that moment that we must be catching up with her in Green Lanterns/Red Lanterns#28, which we reviewed here.
That last two pages take place on another planet, whose name I forget, which is home to this guy and his minions.
These guys, I’m pretty sure, are the world killers. And, therefore, pretty much directly responsible for the destruction of Krypton. And now a doubly super powered Kryptonian who is literally running on pure rage juice is out there gunning for them.
So, I actually enjoyed this issue. And I came into the whole Red Daughter thing pretty cautious, but I did think that it could be a good way to go for the character as she is now. Not forever, mind you, but as a means to rehabilitation.
But aside from that, so far writer Tony Bedard is doing a pretty awesome job. Plus the little hints of future storylines that he’s been dropping so far make it look like he’s got a whole lot of stuff planned for Kara, which is definitely the sign of a good comic book writer, but also that he’s going to be sticking around for a while!
Of course, knowing DC, they’ll probably can the man because of positive fan reactions, for some ridiculous reason.
Either way, this guy managed to accomplish more character development and create more of a supporting cast in this one issue than the other writers have in the whole run until this point.
Here’s hoping he does a good job, stays on, and that we can finally have a decent female hero again.
Until next week, when we’ll be reviewing Red Lanterns #29 to continue Kara’s angry, angry story.