This episode opens on Father Gabriel, strolling around Alexandria, finding a little chapel, tearing up a bible.
Y’know. Just regular priest stuff.
The episode opens on Sasha, unable to sleep under the watchful eyes of some other family’s photos in the house. The next morning, she goes out “hunting,” but is really just target practicing n those same photos. As she shoots, she seems to think that someone is watching her. Or… Maybe it’s a panic attack.
Yeah. It’s a panic attack. As she waits outside of Alexandria’s gates, shaking her head and softly saying, “Come and get me,” the opening credits run.
The season resumes! And I’m still not upset that Beth died. I mean, I’m bummed for Maggie, but…
Well, the episode opens with a montage that includes the gang leaving Grady, burying Beth, and places that have fallen (Woodbury and the prison) as they decide to pursue what would have been Beth and… What’s His Name’s plans. We also get a glance back at the girls that Carol had to kill, and I think the show has shifted from killing every black character to killing every little blonde girl…
But wait… I don’t remember any of these flashbacks…
Not a lot happened on last night’s episode and, at the same time, a whole fucking lot did.
So, let’s get right on down to it.
No Rick, Carl, or Michonne this episode. Instead, we focus on the other prison survivors (and some not-so-survivors, briefly). The episode opens with fan-favourite Daryl, currently traveling with Beth. Despite her attempts to desensitize herself to all of the everything earlier this season, she is super full of feelings in this episode. As Daryl broods, staring morosely into their campfire, Beth is trying to goad him into searching for the others. When he doesn’t respond, she tells him that she’s just going to go off and find them all herself.
Daryl, of course, begrudgingly follows her. I kind of feel like he might be getting a little bit tired of this shit, the whole “hero” thing. Like, shit, it would’ve probably been way the fuck easier to just be a racist murderer/probably-also-a-rapist-because-let’s-be-serious-about-this-for-a-minute like Merle.
So, they head on out into the woods and Daryl uses his hunter/tracker skills to look for disturbances in the trees that are man-made. They come across some tiny little footprints, and Beth reasons that the kids must be alive. Daryl very practically tells her that it only means that they were alive four hours ago. She challenges him to a faith-off, and he reminds her that faith wasn’t terribly effective for her dad. She proceeds to give him “The Look.”
Uuuuuunfortunately, after a kind of very awkward walker fight, they come across more walkers, eating some poor bastard, and totally ignoring the two living folks coming up, none-too subtly behind them. Daryl makes short work of them, though, and they survey the remains strewn about the side of the tracks. And, even more unfortunately, Beth is a girl and recognizes the only piece of recognizable anything; a tiny little black shoe. So, one of the kids that ran off got got. And Beth starts to cry… Standing straight upright, arms at her side.
It’s awkward. Daryl thinks so, too, and starts to walk further down along the tracks, giving her a little, “C’mon, you can cry while you walk,” head nod. The next shot is her ripping up her diary for kindling in a campfire which is already going pretty strong, so it’s supposed to tug as your heart, especially, since she’s been narrating this whole time, all her hopes and dreams about how the prison is perfect and they’re all going to live, and her dad keeps giving her advice and comfort and blah blah blah, but, bitch, you ain’t gotta burn your diary yet. That’s wasteful.
Cut to the next little vignette, where we see the young sisters Lizzie and Mika stalking through the forest. Mika is a little ball of feelings, mostly sorrow and fear, and she complains that she wants Carol. Which, of course, we all kind of do. Because she was AMAZEBALLS in the first half of the season. Lizzie, ever the
satanist pragmatist, tells her to stop crying and hands her a knife. Ahead of them walks Tyreese who, when he turns his back, we see is carrying Li’l Asskicker!
Lizzie asks him, flatly, if everybody else is dead. He doesn’t answer, and her own sister speeds up to walk with the older man and leaver her sister behind her a ways. Because of REASONS.
In the next shot, Tyreese busies himself by bandaging a wound on his arm, then feeding the baby as Judith starts to cry, which freaks out Mika. Where they got formula from, who the fuck knows. BUT, while they’re busy tending to the baby, Lizzie is where..? Oh, that’s right. MUTILATING A RABBIT FOR NO FUCKING REASON. Like, bitch, that’s food. Y’all could eat some rabbit right now. But you just want to take a knife to its twitchy little face and leave it inside out inside of a hollow tree trunk? Right. Okay. Remember this moment?
SHE SMIRKED AFTERWARDS. RIGHT after she kills a woman, she’s like, “Ha. Boom, bitch.”
In this scene, she proceeds to tell them that this crying baby is going to be a problem, but the sound effects of walkers set them back on the run before they can address the issue. Daylight come, and they change a diaper. Zee baby, she cries again. Tyreese can’t get her to calm down right away, so Mika thinks it’s a good idea to punish him by pinching his arm right where his bullet or whatever wound is. A rustling in the bushes right fucking next to them causes Tyreese to bust out the hammer (no Dr. Horrible jokes, please; he’s with children) but it turned out to be a bird. The bird’s escape frightens Mika, who randomly decides to bolt into the woods alone. They chase her tiny little ass down and she bashfully admits that she got scared.
He tells her that she did the right thing, that she should run if she sees a walker, but that she should stick to her group as long as she’s in one. She apologizes again, for not being like Lizzie and he tells her that it’s okay because it’d be bad if they were both psychotic they might be different but they both get things done. She likens it to him and his sister Sasha and Lizzie smugly tells her that she’s not like Sasha, because Sasha’s not here. Tyreese, clearly getting the insinuation that his little sister must be dead/is inferiour to these little girls, is saved from slapping a child on screen by the sound of a woman’s screams somewhere off in the woods.
He hands the baby off to the crazy sister and forces the girls to stand back-to-back so that they can see in every direction. Mika, in a moment of panic and damn good child acting skills, begs him not to go. He hands her a handgun and assures her that she’s tough enough to handle this. She’s left with a baby, her secretly sociopathic older sister, and the ominousness of the seemingly perpetual woods of Georgia.
And seriously, do we really think that this is a good idea?
Tyreese happens upon the people who were screaming, coincidentally the worlds worst survivors, using a baseball bat as a poking tool and a rifle as a defensive tool. He barrels in to help them, but all of them get bitten because they’re all terrible at this whole living thing.
In the woods behind him, the girls are being attacked by walkers, so Mika takes a shot. She misses, but it makes Tyreese turn towards the sound, just in time to see a walker that was sneaking up behind him. Lizzie, meanwhile, is precisely negative eight thousand percent helpful because this whole tile she’s been trying to get the baby to stop crying…
Tyreese finishes up with the walkers at the train tracks and turns at the sound of his name being called.
Carol is back, and has saved the girls, because she totally has not been stalking them this whole time at all. Tyreese’s expression is unreadable as he rushes towards her, and she looks a bit trepidatious as well.
They turn their attention back to the last survivor from the group that got mauled, bleeding from a bite to his neck and pleading with them to stay on the tracks, to follow them towards a safe haven where they’ll be able to take the children. They nod and leave him to A.) weep over the corpses of his loved ones, B.) bemoan his impending doom, and C.) eventually turn, joining the throngs of walkers already out there when they could have easily even just addressed the whole, “Hey, would you rather we just put you down or what?” question.
One time-lapse later, they’re traveling down the road, baby Judith super psyched at having her primary caretaker back, and Mika proud of how she didn’t run from her sister. Tyreese affectionately ruffles her hair and they take a quick break to drink up some of Carol’s water and for her to visibly struggle with lying to Tyreese, taking advantage of the fact that he’s clearly ignorant of all of the goings on when it came to her character, and telling him that she hadn’t gotten back from the supply run with Rick yet, having opted to stay out and find more materials for the prison.
Up ahead, the girls, who have been walking with hands held (so at least Lizzie does seem to genuinely care about her little sister), find a sign post with writing on it:
“Sanctuary For All
Community for All
Those who Arrive
And it’s called “Terminus,” which literally just means “End of the Rail Line,” and was an original name for Atlanta, but it’s still kind of an ominous name for a supposedly safe place. So that’s not creepy at all.
Cut to the next group of separated survivors, and we get a bit of banter between Sasha and Bob as she bandages the bullet wound in his shoulder. Maggie, meanwhile, is listlessly sharpening her knife on a river boulder and intermittently staring at her wedding ring.
Sasha approaches Maggie, telling her that their little rock in the middle of the stream has a good vantage point and will give them plenty of warning should walkers approach, so they ought to camp there for the night. Maggie is like, “‘Kay, y’all have fun, then,” and is ready to throw up deuces, intent on searching for Glenn. She says that she already couldn’t find Beth. I do not know, however, why she would specifically not be looking for the both of them at the same time.
Sasha insists that they not split up, but Maggie stalks off, intent on finding her husband, so Bob smugly tells her that they’ll have to follow Maggie, since splitting up is a bad idea. They walk along the road the bus was heading towards, talking about how unlikely it is for Glenn to have survived, and Maggie can totally hear them, since she can bee seen glancing back towards them from her short distance ahead. Soon enough, they stumble across the bus, stopped, sans any signs of life.
For a moment, Maggie looks as though she’s going to crumble, but she steels herself and soldiers on. As they step closer, the folks inside lunge at them through the open and broken windows. They’re all walkers.
Maggie loses it a teensy bit again and makes for the emergency latch on the back of the bus. When Sasha and Bob move to stop her, she tells them that she still needs to see if Glenn is in there. If he’s one of them. So they opt to let walkers out one by one, and Maggie’s going to stab them in the head and keep her fingers crossed that none of them is Glenn.
This works for the first few walkers, but they all press against the door in an effort to progress the scene, causing Sasha and Bob to have to take them out. This works out great for Maggie because she has another freak-out, going semi-catatonic as she watches them pouring out from the bus, terrified that one of them might be the man that she loves. She wakes up once Bob shoots a walker that was just walking right up to her. Once the action dies down, Maggie whispers an apology and Sasha comments in a very “this is bullshit”-y tone that these people had gotten away. They’d escaped the prison and this should not have happened to them.
Maggie surveys the damage and briskly walks to the bus again, determined to search the interiour.
The sound of flies buzzing and spooky music fading in greet her as she passes the rows of seat, covered in blood and in one case a good chuck of a human limb. On the floor, towards the front of the bus where she last saw him, a walker with a black shirt and shaggy black hair lies pinned, face down, under a girl with a bullet wound to the head. Maggie lifts the body from it and the thing scrambles to its feet, grabbing madly for her. She is able to stab it in the head quickly and with that Maggie Greene ferocity we’ve all come to know and love.
She stands for a moment, then collapses onto a bench.
Now, the last bit of this episode, we see Glenn. He’s not zombified. Rather, he’s just waking up to the dulcet tones of a hoard moaning below his perch and reaching for him. It’s the shot from the preview last week, and just guess where it turns out he is.
HE’S STILL AT THE PRISON!
Realizing that he’s been left behind, and that he’s surrounded by hundreds of walkers, he heads back into the prison to gear up, taking his rifle, his riot gear, a photo of Maggie (which he cries over briefly and that’s why we love him), a duffel bag full of supplies, and a bottle of liquor with him. This whole time, you can see that he’s still kind of feeling under the weather. His plan?
Yeah. That’s him with the orange-ish duffel bag on his back. Also, fun fact, that riot gear leaves his whole entire neck completely exposed. SOMEHOW, his scrawny Asian ass manages to escape sans bitemarks and the DP has set up this nifty little POV shot where we’re the ones looking through the riot helmet. Aaaaaand who do we see?!
Tara, the gung-ho girl from the Governor’s second group who panicked once she realised that she was one of the villains, is just chilling in a chainlink cage, staring at the ground. For a moment, Glenn looks like he’s going to leave her behind, but we all know that he would never, so he turns back and pep talks her into following him. They use the liquor bottle to make a Molotov Cocktail, cause a distraction, and book it right on out of there.
Once in the clear, they pass by that same sign warning about hitchhikers an that same fucking burned out car, so that means that Maggie and Glenn are really close by one another, and have literally just missed each other by a matter of hours, tops. JUST to fuck with me.
Anywho, Glenn learns of Herschel’s death and it only serves to fuel his determination to find Maggie. He tells Tara that she’s going to help him, and that Herschel told him that all that he has to do is believe, so that’s what he plans to do. She says that she wants to believe, and he tells her that she has to, just as another swarm of zombies comes upon them.
They fight them off but Glenn passes out shortly thereafter, the strain apparently too much for him, since he’s still all flu-y about it.
One walker is still active, and Tara caves its head in with the butt of Glenn’s rifle, just as an armoured truck appears. Out of it steps…
Abraham Ford and his crew. Folks from the comics. So, fans of the comics are excited. I have no fucking clue who these people are. Par for the course, when it comes to TWD, especially since I refuse to read the comics.
SO! What have we learned from this week’s episode?
- The crew are all still relatively close in proximity to one another, and they keep missing each other.
- Daryl and Beth are traveling together and Daryl is going to keep that little girl going.
- Lizzie is a psycho.
- Carol is back, and Tyreese has no clue about her actions. This is likely to blow up at the end of this season, given her timely return.
- Tyreese and his ladies are heading for another promise of sanctuary.
- Maggie is on the fucking edge, yo.
- Glenn is trying to live up to Herschel’s ideals.
- The lovebirds are SUPER devoted to each other and I’ll cry if anything happens to either of them.
- Tara is a character now, so she may be a point of tension later.
- Sergeant Abraham Ford is in play and, apparently, he’s a pretty big deal.
All of that in one new episode, even though it really kind of felt like nothing really happened at all! Ah, the reasons we love “The Walking Dead.” Soon enough, we’ll learn a little bit more about our new buddies.Plus we’ll be getting another check in with Michonne and the Grimes guys.
Until next week!