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Let’s dive right in.
Picking right up where last issue left off, Helena and Karen are sifting through the wreckage of Ken’s portal to Earth 2, and tensions are kind of high. Karen is certain that that was their home, and that Clark either needed her help or was faking being evil also because he needed her help. Helena insists that there’s a very good chance that it was just yet another copy of home, but Karen accuses her of not having the ability to admit when she’s wrong.
Agents of A.R.G.U.S. show up to confiscate the remains of the device, and the girls aren’t super keen on just given up a possible ride home. Told to put their weapons on the floor, Karen rips the concrete out from under them before Helena can even get all the way through her utility belt.
The girls take out the men pretty effectively, but they’ve got back-up. A tank is sent in and surely that will prove more of a match for– .
Now it gets a little bit weird, though.
Here begins a flashback sequel, with no preamble, but which spans several pages.
This vaguely Bat-family-ish girl is obviously attempting to untie herself, having been caught while on her idea of a miniature vacation, freeing a bunch of immigrants who have found themselves forced into sexual slavery and in the hands of a bunch of drunken hunters who look awfully well put together for hill folk.
But then she says something in her inner monologue about her dad spinning in his grave, plus it sounds like her mom is still alive and kicking, so maybe not.
Either way, she manages to make her way back into the cabin where the girls are being kept and attempts to fight off the men… While still bound at the ankles and with her arms behind her back. Needless to say, it doesn’t really go particularly well for her. One of the men knocks her out.
So, dude mentions wanting to lot leave traceable anything in autopsy, yes? So they are definitely going to kill this girl. Because, if nothing else, it would be terrible easy to do so now and to dave yourselves a whole lot of trouble later on, right? Right.
Except for not.
They leave her alive, and less restrained than before, with only one arm tied to a tree. Supposedly wolves will get her, but I can’t help but wonder why they wouldn’t either kill her or just add her to their selection of women to abuse..?
I guess I’m underestimating the chivalry of the average redneck mass rapist.
The wolves don’t get her, by the way.
She makes it back to the cabin and torches the place, watching from outside as everyone makes it outside, miraculously.
She catches the men off-guard and, this time without all of the pesky rope keeping her limbs tucked to her sides and useless, is able to defeat them.
Back in the present day, and still with no explanation of what the heck that was all about, Helena is dropped of at one of her safe-houses in Chicago while Karen heads off to New York.
Actually, in addition to eating all of the amazing regional food, Helena has swiped some kind of records from Ken’s base in Gamorra, and she’s intent on proving that she was right, that that was not their Kal and so not their Earth.
She seems to get her smoking gun, too, noticing something off in the background of a surveillance tape with a significantly less Darkseid-y-influenced-looking Clark than the one that they were just exposed to. Something in the background catches her eye.
Meanwhile, in New York City, Karen has just completed the process of getting StarrWare back under her control and in her ownership.
Her legal team has made a killing and her assets are impressive still, but she gives them a surprise order, apparently giving absolutely zero fucks anymore.
Karen flies back to Chicago to meet up with Helena again, and the Huntress bluntly admits being wrong to her friend. There is no embarrassment or blame taken or thrown around, just acceptance and moving on to the planning stage.
So, since that was their Kal, though, and Karen was right, and now they’re going to have a bajillion dollars to finance their efforts?
So, I’ll admit, that wasn’t where I had initially thought that this series was going to go. I figured it was going to be about two people struggling to find their place in a world so similar to the one that they painfully lost, all while dealing with doppelgangers of their loved ones and even of their selves, and that would pretty much be it. Now, I do still think that that’s the overall direction of the series. I think that their efforts to get back to Earth 2 will fail… After a point.
I think that they will make it back home. Briefly, but I think that they will. And then some shit will happen that results in them having to be expelled from Earth 2 or just having to come back to Earth Prime.
Or maybe they’ll end up doing a kind of a Sliders thing, and the Multi-Verse could open back up because of all of their efforts.
Ooh… That would actually be really awesome.
Either way, I do want them to get back home, at least for a bit, and if for no other reason than the fact that it’d be interesting to see how Karen deals with an evil Kal and a dead Lois reconstituted in the body of a fembot Red Tornado.
Of course, Helena kind of gets shafted in this deal…
But it should be an interesting read if I’m right.
And then there’s that whole flashback sequence there and its subject. Perhaps that’s a Huntress from a different world? A Bizzaro Helena?
Either way, we’ll be checking back in with the World’s Finest.
What are your thoughts on the direction of the series? Where will the girls’ efforts finally take them? Be sure to leave your ideas in the comments below!
Thanks for reading!
Picking up where last issue left off, this Earth’s evil Ken has opened a portal which supposedly leads to Earth 2, home for Karen and Helena.
Karen is none too pleased with the idea that this Ken is kind of a douchebag, and physically attacks him while sprouting… I wanna say bad poetry, maybe?
“Goonies Never Say Die!” Truer words never spoken, as the film’s director, Richard Donner, has confirmed that a sequel is in the works. Not only that, but he plans to bring back the entire original cast!
…Of course, we imagine he means the kids, the Goonies themselves, as several of the original cast, including Mama Fratelli and Sloth, have since passed away.
For a great many of us, in any fandom, when we see news of a beloved film or book or comic or game being revisited or reimagined, it’s always something of a mixed blessing. Something to be cautiously optimistic about. The sequel to “The Goonies” is no exception here. No doubt, the gang has fallen apart and will have to be brought back together to solve some mystery or find some treasure to help out someone who’s fallen on hard times… You know, the old “Blues Brothers” method.
But, we at TFP will be keeping an eye out for more news, and we’ll all be hoping for a tale worthy of their legendary friendship courage.
For a look at how the actors look now, almost 20 years later, check out the below picture:
Man, it’ll be really weird to see a skinny Chunk!
WHO WILL DO THE TRUFFLE SHUFFLE NOW?!
We’re, as always, gonna at least give it a shot.
What do you all think of this development?
If you’re here, you’ve probably clicked on one of a couple prank posts on our FB page! We’re really sorry to inform you but, as far as we know, Robin Williams hasn’t been cast in any superhero movies (yet), and so won’t be playing the Joker any time soon, and no, there will be no Jar Jar Binks love scene, if there’s any justice in the world. And, and I’m actually really broken up about this one, there are no plans in the works to make a Batman Beyond movie. BatFleck is still a thing.
But hope you all had a laugh, and thanks for following us! Be sure to share the Facebook posts and pull one over on your friends!
Oh, hey. Lookey there. Something finally happens.
Hera’s still chilling at the winery where Dionysus and his soon-to-be-turned-into-pigs comrades were in the previous couple of issues, leisurely ordering from the menu.
Of course, the menu is more interesting than the ball of green glowing fire hurtling towards her. Understandable, really.
Since warning her would be ridiculous, the waiter dives out of the way while Hera is trying really hard to remember that she just wants, like, a Jack and Coke, of all things. And, of course again, the ball hits her.
Back in the woods, Hermes and Demeter are trying to keep on their hunt, since the Moon is a little bit OCD.
She feels a disturbance in the Force and just fucking knows that Apollo’s in danger or hurt or in some other Charles Barkley level of turrible trouble, so she asks Hermes to transport them to Olympus right away.
On the ship, one of the engines has been damaged by the explosion, and Zola is in there trying to rescue Dio… Who we actually don’t see at all in this entire issue.
So, yeah, Zola’s kind of bad at things. But it’s okay because Wonder Woman is holding the plane up!
But, as turns out, nobody is good at things, because Hermes gets them to Olympus just in time for Diana’s strength to crap out on her, sending the ship pretty much crashing down on top of them.
But, they are all on Olympus now… Or what’s left of it. And now everybody can be snarky to each other until they realize exactly what their current location means as far as, y’know, not dying goes.
NO! No. No. Look, I know that Greek mythology is just chock fucking full of incest, and that this was especially the case in the gods’ case, but I’m done with all of the incest in comics, movies, TV shows, and fucking fanfiction especially. I’m DONE.
But that’s a rant for another time.
Anywho, the hyena people start to flip the fuck out…
And nobody seems to have noticed that they’re standing on red, squishy, raw-meat-smelling ground. And cue the appearance of the First Born. I’ve got to say, he’s looked better.
Understandably, they’re not particularly keen on the idea of subservience to a monster, and Demeter in particular is pretty intent on that whole vengeance thing.
And I guess having no skin makes his veins weapons now, so he’s caught her and is sucking her energy away a la the Parasite.
Diana pulls a magic glowing bladed spear thingy out of… nowhere? And intend to also attack him head on.
And her attempts to be a baller don’t last very long, as she gets vein-drained.
And the monologue continues on, being way more painful than that whole imminent doom thing.
The First Born says that he’s learned something during his captivity, and that it’s that power, love, life, blah, everything ends eventually.
But, before he can up and end all of these assholes, the only person who is able to do any thing is the one person who’s been the most useless this whole, entire arc.
The return of Hera to power! Literally. Her display of mad power, which really shouldn’t be intimidating since Apollo’s power transferring over to Hera shouldn’t have amplified it and the First Born done walloped Apollo good, well, it makes the First Born book it.
They leave Olympus in the ruins is was already in, Apollo’s guts all over the place and everything, and head to who-knows-where, where nobody questions it because they assume that wherever it is, it’s gonna be safe, so fuck it.
They pop on over to Themyscira, it turns out, so that Diana’s pseudo step-mother can give her a gift.
The Amazons are back!
And I swear if this whole thing doesn’t feel like it just completely fell flat.
Like, “oh, hey, ladies, welcome back. I’ve nothing to say to you, despite the appearance in the comics so far that your petrification and the destruction of Paradise Island and I don’t even see my mom or any of my closest friends, but would you mind dying in throngs for me?”
And, Wonder Woman finally accepts her mantle, knowing that her denial has cost them until now. So, she’s not asking them as Princess…
So, whoopee, she’s a harbinger of doom, to take down a harbinger of doom.
And I still feel like nothing happened. Hera’s back to power, yes, and last issue saw Apollo dying to give her back that power, but this whole story is just creeping along so slowly that I really do find it hard to care about one of my favourite characters.
I’m hoping that something happens to get rid of this First Born dude sooner rather than later, because I need this crap to be done with.
We need a new story, or at least better pacing.
And for now, I’ll be keeping an eye out for a downward spiral of yet another DC character, since being the god of war is more than likely going to be a thing that affects her as a character, morals and all.
Plus this whole “dating Superman” thing isn’t helping.
Well, until next time.
These titles are getting shorter and shorter. If IMDB is anything to go by, and admittedly it often isn’t, next week’s episode is just titled “A.”
But that’s next week.
We’re here to talk about this episode, “Us.”
The episode opens with Dr. Mullet and Tara leading the way down the tracks towards Terminus, the former talking her ear off about video games and treating a penny like it’s the most precious thing ever created.
That night, Abraham sits Tara down to talk to her, since she refuses to sleep. He lists things he’s notices, like how Eugene likes her, but how he saw Tara looking down… Oh, what is her name? With the no pants? Yeah, her shirt while being served dinner. And he figures that she’s following Glenn on his borderline suicide mission because of either something she did or didn’t do.
So, he’s a pretty observant guy. Maybe Dr. Mullet shouldn’t be such a know-nothing know-it-all to him, or anyone else for that matter. The next morning, back on the tracks, they come across a Terminus sign… And Glenn takes off running, a relieved smile breaking out on his face.
Roll credits, blah blah blah blah, and we get to see Joe’s crew, where Daryl has taken a short leave to go hunting. After one of the ruffians rather grotesquely takes out a walker trapped in their perimetre wire, pissing on its carcass as well, of course, trouble-maker Len heads out to find him.
We catch up briefly with Rick, Carl, and Michonne, the latter two of which are taking their time balancing on the tracks.
After Michonne knocks herself off while trying to psyche Carl out, he generously splits his hard-won candy bar with her. The dynamic between the two of them, starting way back in “Clear” (which is my personal favourite episode so far, and that’s really saying something considering how much we should all know that I love Glenn and Maggie by now) is awesome. She’s what Carl needs and Carl’s what she needs, creating a friendship that’s also sort of a surrogate mother-son relationship. So, that’s awesome. Despite Rick’s concerns about their water supply, he smiles along and they head further down the road.
Back in the woods, Daryl has just shot a rabbit he’s been waiting for for hours, and Len, the douchiest douchebag in Joe’s camp, shoots it at the same moment, laying Claim to his breakfast. Joe shows up to intervene, since Daryl doesn’t know their rules, and in a sort of backwards King Solomon moment, chops the rabbit in half. But Daryl’s got to say “Claimed” for whatever he wants, so nobody’ll fight him for it. But our favourite redneck doesn’t want to roll by their rules.
Along the tracks with Glenn and company, they’re slowing down. There’s a concrete tower they can climb into to rest, but a walker stumbles out from the height. And, because Dr. Mullet is too fucking stupid to move out of the way from clearly visible certain doom with ample warning, Tara has to be knocked out of the way, twisting her knee.When Glenn asks her if she wants to stay, she says she can keep going, and… Well, damn, now she has pants, but that chick traveling with Abraham points out that Tara will do anything Glenn asks, so he should stop being an ass. Glenn ignores her and offers his riot gear to Eugene in exchange for just letting them continue on.
Which is stupid because Glenn doesn’t actually owe them anything, necessarily.
But love isn’t blind. It’s actually just… A special kind of special.
Somewhere else, Joe explains the rules to Daryl, saying that you have to claim what you want, you can’t steal, and you can’t lie, otherwise a beating with varying degrees of severity will ensue.
Glenn, now unarmoured, approaches a dark tunnel with the rest of the gang close behind. Abraham says they’ll go up and over, but Glenn says that that would take an extra day, and that Maggie went through, so he will, too.
Abraham can hear the walkers inside, though, so he bids them good luck and gives them two cans of peaches and a flashlight and bids them good luck. Whatsherface gives them hugs. Dr. Mullet complements them on their character and tells Tara she’s hot.
Tara tells him she likes girls.
He claims to have already known this.
Glenn smiles to himself.
And the moment is awesome.
As they walk inside, Glenn tells Tara that he knows what she’s going through, having lost all of his family himself, and she tells him that she was the first to jump in at “Brian”‘s idea to take over the prison, even with the fact that some lives would probably have to be taken.
Joe’s group plus Daryl settle in an empty auto body shop, with all of the thugs “claiming” their cars to sleep in, since Daryl doesn’t seem keen on conforming to their ways. Instead, he picks himself a nice spot on the ground a ways away, using his garbage bag of supplies as his pillow. Joe and Len both notice his lack of reaction to being booted from the cars.
Back in the tunnel, they come across a freshly collapsed portion, walkers still active and trapped between the chunks of concrete. Glenn hands Tara his gun and takes his knife and the flashlight to examine the walkers, making certain that Maggie isn’t among their ranks and stabbing them as he goes along. BUT HE ONLY STABS THE WOMEN. And then Tara stomps on one of the men’s heads. Aaaand they climb to the top of the heap, where a couple dozen walkers wander towards them, and Glenn pauses, looking them over one by one and saying that, since she’s not one of them, Maggie made it through, and so they will, too, despite their lack of ammunition.
Abraham and company, meanwhile, have found a van with a single walker inside and a note written in the windshield’s grime. “Leave Momma Be.” They, of course, do not, and they have a nice new mode of transportation, all set to go, until Dr. Mullet decides to belittle… Oh, man. WHAT is her NAME? But, anyways, he wants to be navigator, and she’s not here for it, since she’s in the know about his general uselessness. She finally caves, telling him that they’re just going north.
Meanwhile, back at the cave-in, the worst plan ever has been hatched. Remember how I listed all of the things that Glenn has done wrong this episode? Well, add to that leaving their only light source in a dark tunnel of unknown length and filled with an unknown number of walkers who they now won’t be able to see, PLUS climbing down a pile of loose rubble with one of their party sporting a lower limb injury, and this is gonna turn out fine, I’m sure.
Whoop, no. I lied. Tara’s gonna slip, and her leg is gonna get trapped under a particularly stubborn rock, and then they’re gonna talk and then the walkers will notice them, and she’ll shout at him to go, and more will come, but he won’t abandon her.
THAT’S what’s going to happen.
Dr. Mullet, meanwhile, has gotten… Fuck, I’m never gonna know this woman’s name, am I? Well, he’s given her shoddy directions, but ultimately gotten her to come around to where that same tunnel lets out, saying that they ought to be around here if there were no considerable delays. Then, as Abraham is knocked awake and bickering ensues, he spots something odd.
Back in the garage, Len accuses Daryl of taking his half of the rabbit, and Daryl denies it, but a check in his bag reveals the front half of the poor little rodent.
Joe asks Len if he planted it, like Daryl accuses, and Len denies it, so Joe gives him a hard uppercut to the gut and tells the other men to teach him a lesson “all the way” because… Drumroll please… He saw him do it.
Now, in the tunnel, Glenn uses the last of him ammo to fend off the walkers, but he only takes out about a half-dozen before his clip runs empty. Just as he’s about to resort to using his rifle as a club for some reason (because doesn’t he have any bullets for that?), a man shouts to “Get Down!” and a group opens fire on the miniature hoarde.
And guess who it is?!
After freeing Tara from the rubble, Glenn introduces her to Maggie, claiming to have met her on the road and saying that the younger girl felt compelled to help him after hearing his story, because she’s just good like that. Maggie gives her a hug, and you can fucking see/smell/hear/taste the guilt in Tara’s eyes. Then they go and join the others, having made camp in the tunnel since they were pretty much able to secure it (how, I do not know), and Sasha and Bob are in disbelief at Abraham’s tale.
Abraham tells them all that now there’s nothing keeping them from Washington, and Tara tells Glenn that she’s going with them. Her pseudo-dept is kind-of repaid! But Dr. Mullet contradicts Abraham, saying that three more days and they’re at Terminus, so they may have supplies or manpower. Sasha agrees to go with the to Washington after Terminus; she needs to see if Tyreese is still alive. Bob agrees to go wherever she goes.
Then… Sigh… A lovely moment where Glenn and Maggie catch each other up is ruined by my anxiety over this being a moment of foreshadowing or metaphor or some other such BULLSHIT, because Maggie finds the photo of her that Glenn has been carrying, and she convinces her to let her fucking BURN it because they’ll always be together and he’ll never need a photo of her because he’ll have the real her by his side and blah blah blah blah blah blah MAGGIE WHAT ARE YOU THINKING?!
I mean, really, look at this screen shot. Is this not a metaphor?
Sigh, you assholes…
The next morning, Daryl wakes up to the crew setting off, and finds Len outside, with an arrow in his eye.
Daryl is about to cover his body with a sheet, and then decides against it, leaving the sheet in a heap and following Joe as he takes a swig from a flask and tells him a bit about his plans for the immediate future. They’re on their way to Terminus, but not for sanctuary, since he doubts that men like them will be welcomed with open arms, but rather to hunt down a guy who was hiding out in a house that they’d claimed, strangled one of their own, and left him to turn and attack them all as a walker. One of their group got a good look at him.
Because he was staring at him as he was being choked and their prey was hiding under the bed.
Oh! Right. That’s why this sounds so familiar.
Because Daryl’s now with a group on people who are going to hunt down and murder Rick. And probably Carl. And Michonne, but, y’know, after horribly raping her because they as much said so in that episode where they’re all actually in the house. And, after hearing this and having refused to conform to this group’s dynamics for this whole series of events since they’ve found him, he claims a small tomato or berry or something growing at the side of the tracks, right as another guy is about to grab at it.
So, awesome. Except for the many ways in way it’s not.
And, now, at last, it looks like the first of our heroes have arrived at Terminus.
So, let’s just go with a Terminus slideshow for now and give our thoughts:
One gate, no locks or visible guards posted.
A second gate, also unlocked, and it has a sign which has all of the same handwriting as every other sign we’ve seen thus far.
Pastel colours. Weird as shit.
Tasha Yarr as slightly creepy hippy lady.
Nobody else in sight.
Sooo… Is this a huge cannibalism scheme or what? Because, and I’m not judging just observing, but everybody else in the world is starving, and Tasha’a over here looking a little bit ponchy. Plus she’s grilling something. WHAT IS THERE LEFT TO GRILL?!
The answer… Is people.
There could also be some kind of creepy Stepford thing going on. There could be drugs in the food or water.
Or she could be a Super Saiyan.
Who the fuck knows?
So far, I’m standing firm equal distance between the cannibal and drugging theories. Because both are completely different levels of creepy than we’ve seen on the show so far. And I’m all for non-flu-y new threats. ‘Twould be quite welcome, since I’m pretty sure that everybody and their Momma (who they did not let be) knows by now not to trust any of the other survivors.
But we do need to see some casualties, certainly, in the finale next week. Even with Herschel it’s been a while. And it was quite a while before that, too. So, what have we got?
An uneasy truce between Tyreese and Carol.
A romance who a lot believe to be doomed, but who I’m holding out for, especially since the whole doomed romance/Romeo-Juliet thing is such a cliche at this point that it would be a really disappointing thing to see, just from a writing standpoint, let alone from that of a person who actually “ships” them. But, given the imagery of Maggie’s photo burning, plus the fact that Glenn has worked very hard to continue on in Herschel’s sort of morality, and we all know what happens to the group’s moral compass time and again, and then counting the huge number of errors and irresponsible moves made by Glenn in this episode alone, it’s not looking too good for the two of them. But I still don’t want them to die. It looks so much like one of them will that I don’t want to believe that the writers have gotten that lazy.
Especially since we still have an upcoming standoff between Rick and the group with which Daryl is now traveling as a part of. Add the fuel of the fact that Daryl still doesn’t know about Carol’s banishment onto that fire, and we might just get a major character death that none of us were bargaining for. Daryl or even Rick might die. And wouldn’t that shake some shit up?
I mean, consider, Michonne is a friend and role model for Carl, able to keep the boy straight.
She’s a surrogate mother.
And Carl is probably safe because I think enough people too short to ride most carnival rides have gotten got this season.
Who do you think is going to bite it/get bit?
Personally, I think the biggest deal is Daryl/Rick… But mostly because I don’t want to even think about Glenn or Maggie.
Oh, right, and, uh, are we ever gonna see Beth again, or…?
Until next week!
So, here we are, picking up from last issue, and still behind Red Lanterns. But, this actually is a pretty decent issue. Not a slug-fest, not compeltely full of mindless growling and blood vomit, and a very cool, and little seen, glimpse into the brief time Kara spent trying to be a person on Earth.
It opens with a flashback. And all of Supergirl’s downward spiraling has happened in a single month, by the way.
On a cold, snowy day, we find Siobhan and Kara chilling in the apartment, using Kara’s heat vision to toast marshmallows one by one.
While Siobhan takes the whole thing in stride, just content to finally have a friend she can allow herself to keep because she can’t accidentally hurt her, Kara marvels at her ability to achieve such a fine level of control.
Siobhan waves her off and tells her to stick with her “and you’ll go places.”
Eventually, Kara does finish the marshmallow off, Cajun style, and rather than inciting a blood feud or another bout of self-loathing, they pair just laugh it off.
Cut to the present, where Kara is actively trying to kill her, and Siobhan has gone off to see if she can help… Somehow.
Like so many BFFS before her, she tries the first line of defense: talking down her friend who is clearly taking a breakup too hard/had to much of an intoxicant/probably both. The difference is that, most of the time, the drunk girl friend isn’t A.) Superpowered and B.) trying to sear your face off with their flaming acid vomit.
Siobhan is trying so freaking hard here, trying not to have to unleash the Silver Banshee, but Kara just won’t hear it.
Back in the Block, Dr. Veritas asks her army of non-clone-genetic-copies WTF is going on with Kara, and the news that she’s gotten a Red Lantern Ring sends her reeling. According to the good-ish doctor, a Kryptonian with a power ring is “an extinction level threat.” Which, yeah. Duh. Unfortunately, there is somehow a more pressing concern.
Blaze is on the loose, and since she was being both contained in a holding cell in a transdimensional research lab and prison, and she’s some kind of whatsis from hell.
Now, I don’t quite know who Blaze is, but I do follow a Supergirl blog where a post was dedicated to bringing us all up to speed on who in the actual Hell she is. Check it out here, if you’re curious. Of course, keep in mind that they may have changed her story up a bit for the New 52.
Anywho, back in Queens, it looks like Siobhan’s offer of friendship and help is about to crack that angry exteriour for a moment… Until the NYPD shows up and ruins everything.
Now, with all of the innocent bystanders (Innocent? Ha! It’s New York!) and the police at risk, Siobhan is finally ready to release the Silver Banshee.
And she’s also able to actually hold her own until she get’s punched into another burrough. She finds herself outside of her own apartment building, conveniently enough, and now she’s worried about her new roommate, since Kara would probably rip her apart without so much as the blink of an eye. Which, yeah, she probably would, since she would see the new girl as her replacement, because love and friendship, I’ve found, are seen as finite resources in the minds of crazy people.
But, either way, the interesting thing to note here is that… This bitch is conspiring against the woman currently, actively trying to save her life!
But, despite the battle raging on on the outside, and her attempts to do good both by her friend and by those her friend might end up hurting, Siobhan is still waging an internal war against the Silver Banshee demon (is it a demon?) trying to break free and take over.
Cut to another friendly time flashback, and we see Siobhan flipping out over Kara’s having cleaned their apartment. The woman has a system, and, really, those of us who lie a bit to the messier side of the spectrum can relate! My bedroom may be a mess, but I know exactly where everything is, and that’s not even a little bit of an exaggeration. So, I feel for Siobhan. I really do. But, again, the moment is easily fixed when Supergirl superspeeds the mess back into place.
In the present, her desire to get the fight away from the middle of Queens gets her to allow the Silver Banshee to unless a smidgen more of her power, allowing her to shift her pitch high enough to tear open a portal to an abandoned area, someplace in Oregon, I think. The fight goes on, and Siobhan ignores her worse half’s beckoning to allow her a little more control, even if it would lead to more power.
Then she gets punched in the stomach.
Meanwhile, in Queens again, sexy Lobo is up and staring at the smoldering wreckage of his beloved ship.
But the whole thing might not have been a total waste, because he’s pretty sure that he’s just gotten a lead on his doppelganger.
So, a third story seed has been planted now. Hmmm…
Finally, though, back at the fight and after an internal struggle between Siobhan trying to save her friend and the Silver Banshee’s selfish motivation for getting her host to realise that Supergirl is currently beyond saving, Siobhan can only get rid of Kara. After all, since the Kryptonian is so enraged and fueled by the desire for vengeance, the destroyer of her world isn’t going to be found on Earth!
So Kara flies off in a fury, and it’s just after that moment that we must be catching up with her in Green Lanterns/Red Lanterns#28, which we reviewed here.
That last two pages take place on another planet, whose name I forget, which is home to this guy and his minions.
These guys, I’m pretty sure, are the world killers. And, therefore, pretty much directly responsible for the destruction of Krypton. And now a doubly super powered Kryptonian who is literally running on pure rage juice is out there gunning for them.
So, I actually enjoyed this issue. And I came into the whole Red Daughter thing pretty cautious, but I did think that it could be a good way to go for the character as she is now. Not forever, mind you, but as a means to rehabilitation.
But aside from that, so far writer Tony Bedard is doing a pretty awesome job. Plus the little hints of future storylines that he’s been dropping so far make it look like he’s got a whole lot of stuff planned for Kara, which is definitely the sign of a good comic book writer, but also that he’s going to be sticking around for a while!
Of course, knowing DC, they’ll probably can the man because of positive fan reactions, for some ridiculous reason.
Either way, this guy managed to accomplish more character development and create more of a supporting cast in this one issue than the other writers have in the whole run until this point.
Here’s hoping he does a good job, stays on, and that we can finally have a decent female hero again.
Until next week, when we’ll be reviewing Red Lanterns #29 to continue Kara’s angry, angry story.
Somebody needs to explain to me why this happened. Why did this pairing have to become a thing?
Zod and Faora are preparing to open the Phantom Zone and let loose all of the crazies, and Superman and Wonder Woman are flying around being pretty. Clark is having reservations about their operations as heroes. He’s worried that they may have been a better team when they weren’t also doing it. Once again, Wonder Woman callously dismisses his concerns because she’s kind of a bitch in this book.
Knowing that it’s going to be a tough match between them and Zod and not-Ursa, they turn to Diana’s extended family for help. Namely, Hephaestus, who looks a heck of a lot like a parademon.
It seems that Diana sees their biggest advantage as being the element of surprise, and since the other Kryptonians have the same heightened senses as Clark, that’s almost a moot point. Put it’s okay because Hephaestus has a solution for that.
So, as Zod and Whatsherface finish constructing their StarGate out of garbage, Clark and Diana blow their element of surprise with a since blow which pretty much barely fazes either of them, and which only actually hits Zod anyways.
And I don’t know that I understand this next panel.
Okay, so I guess Hephaestus has, like, an invisible ship that he’s letting them use. Is that going to end up being the invisible jet?
More importantly, why would they emerge from it and announce their presence, even if they are sporting their new WitchBlade armour?
And the fight scene ensues. And something was bothering me about this whole thing, because, y’know, I’ve also been reading Wonder Woman’s solo series…
Wait. What is that little yellow box saying?
SIGH. Come ON, DC! Wasn’t the whole point of the reboot to make sure that every comic is in-sync, storywise? All of the timelines would match up and the crossovers wouldn’t be so muddled?
Or is this your way of finally, albeit quietly, admitting that you only did it because you were officially out of ideas?
I think we know the answer.
But, back to the issue…
And this happens. They got the snot beaten out of them, but they’re okay and they’re going to somehow deliver the force of their blows right back to them.
BEWARE THE POWER OF HAND-HOLDING!
No. Y’know, what? I’m just going to assume that these suits were designed to absorb kinetic energy and expel it as energy energy a la Sebastian Shaw. Because I don’t think that that was ever stated, and I’m trying to make the leap for the writers since I’m really at my wit’s end with the New 52.
But, I digress. As I often do.
So, they knock Zod and Whosits down and out… Until the gods decide to continue hazing their sister’s boyfriend.
So, now they’re super-charged and gonna be pretty much impossible to beat.
Lo and behold, they up and beat the ever-loving super-poo out of the two of them and them fly them over to a conveniently nearby nuclear plant with a solid lead core to dump them in.
And now the rogue Kryptionians can fullfill their promise to the other inhabitants of the Phantom Zone. To create a hell on earth via a swarm of superpowered alien war criminals who will take over the planet and them probably fight with each other and destroy 91.5% of the planet in the process of their respective bids for power.
In their lead would-be tomb, Clark and Diana have a very stilted and breathless conversation, wherein they have no ability to figure this shit out, but Clark just fucking knows what they’re doing.
And, finally, we get some literal ancient-Greek-deus ex machina.
And right before they’re about to make their tremendous sacrifice?
Which, by the way…
And kablooey. And I’m sure that there was nobody working in or living near that nuclear power plant they were trapped inside of at the moment.
So, it looks like they’ve stopped the bad guys! Right? I mean, surely, they must have with a blast like that!
Escpecially since… Well, take a look at them, lying at ground zero.
And that’s how the series ends.
…Not really. But I woulnd’t mind it! I like Superman. I like Wonder Woman. They’re my two favourite DCU characters… Pre-New 52. I really don’t like them now. And I especially, in case any of you guys haven’t cottoned on by this point, hate them together. It just doesn’t fit!
They don’t fit.
They’re a great team when tey fight alongside one another, but I don’t see the whole romance thing working out for them. The reason that Lois and Clark were such a good match was because, among numerous other reasons, it gave Superman/Clark a real depth. It brought him closer to his humanity, made him really one of us normal folks walking the earth, at least for a little while. And his humanity drove his heroics.
But with him dating Wonder Woman, it’s more like he’s being pulled away from his humanity. And I have a problem with that.
How is that going to make his a more compelling story?
Also, how is that going to make him more heroic?
So, another issue out and read and reviewed and I still don’t see it for them.
And, by the way, I’m not the only one of the FanGirls. We touched on the issue in our latest podcast. You should really check it out.
But, we’ll be back next month to see if this gets any more palatable.
Or any less intolerable.
Last night’s episode was pretty well tied together. I enjoyed it much more than last week’s (sorry Beth fans), and it actually featured two sets of survivors rather than solely on one group for the whole episode, so that’s a step in the right direction, in my opinion.
The episode opens, like so many have in the past, in the past. Bob Stookey is wandering alone and we see several simple yet dramatic shots of how he has survived by himself for so long.
Like this one:
And this one:
Eventually, the roar of an obnoxiously loud motorcycle heralds the arrival of a redneck and his token Asian companion, and Glenn and Daryl ask Bob their “Three Questions,” ultimately bringing him into the group, as we all well know by now. Bob’s answers?
1.) He’s killed dozens of walkers.
2.) He’s killed one person.
3.) It’s because she asked him to.
After the opening credits roll, we get a nice, spooky scene wherein present day Bob, Sasha, and MAggie are standing back-to-back-to-back, fending off walkers in a fog so dense that visibility is down to a mere one to two feet in front of them.
Every walker attack is sudden, and things don’t look so good when Bob appears to have been bitten. Sasha takes out the walker.
Then Maggie has a really tough time with one, and Sasha saves her.
Luckily, that’s the last of them, and the two gunshots didn’t attract more walkers, AND the walker that bit Bob bit him over the bandaged bullet wound, and his bandages are made of fucking Kevlar, and the man is fine, because there are three episodes left in the season, and they don’t want to murder everyone and ruin all of our lives just yet.
Sasha is super psyched that he’s not going to turn, hugs him, then pulls away when it hurts his shoulder, and they all share a happy little laugh because adrenaline is a funny thing.
Cut over to Daryl and Beth, where Daryl is actually making good on his promise from last episode (yawn) to teach her how to shoot a crossbow.
He’s also teaching her how to track, and she’s able to reason that it’s a walker, which they soon happen upon, and then she decides that the best way to kill it with a crossbow is to sneak up on it because distance weapons aren’t specifically used from afar and you need to be in close proximity.
Naturally, she twists her ankle by getting it caught in, like, a miniature bear trap our something, the walker hears, she hits it but in the jaw, and Daryl has to finish the thing off.
Back with Maggie, Sasha, and Bob, they debate getting moving, discover that they only have six bullets left, and find that their compass is broken. Bob backs up Sasha’s decision to stay put, and says that they’ll just have to keep an eye on the sun to maintain their bearings. In huge contrast to opening-scene Bob, he’s being extremely optimistic, and it’s noticeable as the women folk look none too pleased.
We catch up with Daryl and Beth again, as she limps along to a clearing where a small cemetery and funeral home a spread out. She asks to take a break, and he gallantly offers to give her a piggy back ride across the graveyard, and she’s not fooling anyone.
Also, I sure hope that that crossbow has a safety on it (even though I know Daryl would never use it), because he turns it to hang on his chest, and it could easily fire and hit either one or the both of them in the face if it’s jostled the wrong way.
Beth hopes that there are people in the funeral home, and Daryl promises to take care of them, to which she assures him that there are still good people left out there in this terrible, terrible world that they live in. He doubts that the good ones survive. On the way there, they pass by a tombstone which reads “Beloved Father,” and Beth has a moment, reaching to hold Daryl’s hand
due to a lack of subtlety for emotional support.
Meanwhile, Sasha, Bob, and Maggie, come across a sign for Terminus, opening up another debate for their next course of action. Bob claims to have heard a broadcast about this on the radio, but it was unclear. Maggie immediately decides that they should head there, saying that Glenn would head there, looking for her looking for him looking for her looking for him.
Sasha… Is not so enthused about the idea, having been expelled from the prison, accepted into Woodbury, fled from Woodbury, fought Woodbury twice, and forced to abandon the prison. So, proposed utopian sanctuary-ish places and promised aren’t sitting particularly well with her. Bob suggests that others could be there, including Tyreese, and Sasha just blows past that ray of hope, but realizes that she’s already been outnumbered.
Inside, they find the place very well-kept, meaning that there must still be someone there. They also find… what looks like a funeral in progress. A body lies in an open casket. Having no concept of propriety nor fucking hygeine, Daryl touches the face, leaving a scooped out hollow because the man has decomposed to the point of being comprised of 95% human pudding.
In the basement, they find more bodies being prepped for burial, and Beth finds it kind of beautiful that whoever is living here is still trying to honour these people’s memories like this. Daryl just wants to bandage her stupid ankle. I don’t see any head wounds on these bodies. And it makes me really, really nervous.
Back in the woods, Sasha is having a real hard time opening a can with her hunting knife. She tries to convince Bob that they need to not go to Terminus, but instead to find a town and a building and set up shop there. Plus the fact that Glenn is likely dead already. Maggie is off getting firewood during their exchange. Bob tells her that she needs to face the real reason she wants to stop.
This whole scene, she does not get this can open.
In the funeral home, Beth and Daryl find a cupboard full of soda, peanut butter, jelly, and pigs feet. I’ve never seen Daryl happier.
They’re about to clear the place out, but Daryl says that they should just take some because the lack of dust means that someone was still here. Beth tells him that he’s the “good people left” that she was talking about earlier and Daryl, in true Daryl Dixon fashion, has no response to that. Instead, he proceeds to scoop out jelly with what I’m pretty sure was the same hand he scooped out that dude’s face with and I’m going to go ahead and throw up now.
Outside, he sets up their standard string of cans as a perimetre alarm. Inside, Beth hits the piano and starts to sing again.
And, yeah, that’s Daryl lying in the coffin because it’s the comfiest bed he’s ever laid in. And he stares at her thoughtfully when she’s not looking. And he seems to be having a minor internal struggle. And this show about walking dead people and this scene where he’s laying in an empty coffin in a funeral home wherein several bodies are in an advanced stage of decomposition, just got a little bit CREEPY.
The next morning, Sasha and Bob wake up to find a message written in the sand.
On the road, Maggie is about to carve into one of the Terminus sign posts, but instead carves up a walker with a crazed look on her face.Why would she put her hands elbows deep into a walker’s guts? Well, a very smiley Bob and an incredulous Sasha come across the answer.
So, that’s awesome. Second time we’ve seen crazy-eyed Maggie since the mid-season premiere.
Also, she should work on her penmanship.
Daryl carries Beth to breakfast in the funeral home, just to make me uncomfortable.
But before Daryl can sink into his beloved pigs feet, the cans rattle, alerting them to an intruder. Daryl goes to check it out.
Norman Reedus has probably never been happier to see a one-eyed dog, especially after eating that eel last week. The dog, meanwhile, bolts when he moves to pet it. Beth comes to what the matter was, and he gently chastises her for not listening, before suggesting that it might come back around. The go back to breakfast together and I DON’T LIKE IT.
That night, Bob and Sasha are camped out, trying to sleep despite the violently loud moans of a walker they think must be stuck on something nearby. Neither can sleep, and Bob starts the ask her the incredibly uncomfortable question of whether she’s too afraid to find out for sure if her brother is alive or dead. When he doesn’t answer, he tells her that he thought she was the toughest person he’d ever met, while simultaneously being the sweetest. She has no answer, for some reason forgoing the slap he kind of needs right now, and he settles back down to try and sleep again.
In the funeral home, Beth is drafting a thank you note, and Daryl tells her that maybe they ought to stay until the owner returns. That maybe they can coexist.
It’s weird. Sweet. But weird all the same.
Beth asks him what suddenly changed his mind about the presence of good people left, and he gives her fucking look, AND I DON’T LIKE IT.
Praise Jeebus, the moment is interrupted by rustling cans and the sound of a dog yelping. Daryl goes to give it a pig’s foot. Now, clearly, hopeful Daryl and this unholy thing that hopefully isn’t even a thing and I’m imagining it a-brewin’ between him and Beth is a bad thing, because the ever-vigilant redneck opens the door without looking, and it’s five billion zombies at the door.
A weird-ass fight scene ensues, where he of course tells Beth to run because even he knows she’s not about to be helpful while operating under the double whammy of A.) having a sprained ankle, and B.) still being Beth. Why is the scene awkward, though?
Well… See, every time that Daryl uses his crossbow as a club or fires it in close proximity it just bugs the hell out of me. You have one weapon, which is already a terrible way to operate, and you have a finite number of arrows, two of which broke last episode, and if you damage your crossbow, then fuck the whole damned thing. He first lures them deeper into the basement, where the bodies are still on gurneys and are apparently not going to rise and where he already knows he has no alternative escape, instead using an examination table as a two foot wide barricade and he uses scalpels to stab the walkers in the head, repeating the process once over after her crawls through their legs and escapes back up the stairs, retrieving only one of his arrows.
All in all a terrible series of terrible ideas. Culminating, by the way, in Beth’s disappearance. As a car speeds off. Because she’s being kidnapped, I guess. Because she’s Beth.
And one episode’s worth of character growth and the attempt to make her appear more competent has just been completely undone.
Daryl, meanwhile, chases after her on foot, because he’s part gazelle and he really thinks that he has a chance of catching her, calling her name all the time. He eventually stops and kneels, defeated, in the middle of the road, having lost the trail somehow.
Bob and Sasha approach a town and she finally decides that this whole sticking together thing is for chumps, and that she’s rather go full Morgan and go crazy in an abandoned building by herself for the rest of her life. Bob kisses her goodbye and heads off to find Maggie.
He heads further down the tracks and Sasha finds a nice brick building with a flat roof to go and cry in.
She quickly fucks shit up by accidentally breaking a window after seeing Maggie lying amongst a row of dead walkers, calling all of the still roaming zombies to their location.
She sprints out and the two of them tag team the mini hoarde.
Maggie tells Sasha that she was waiting for them, that she can’t go it alone, and that, yeah, she can ask them to risk their lives. Sasha admits her fears, and they head off to find Bob together.
Meanwhile, Daryle finds himself in a Mexican standoff as a group of ruffians who admittedly are ever-smitten with the idea of flat out murdering people find him and surrounds him. Their leader, Joe, laughs off a punch (never a good sign) and tells him that he’s been looking for a crossbow like that, and then talks Daryl into not pulling the trigger, since his boys will end him, too, right on the spot.
So, will Daryl end up going back to his old ways, mindlessly following what looks to be Merle 2.0? Or will he miraculously slaughter them all against all odds, like he always seems to do? Or will be backslide a little, but still try to advance as a character and fucking find Beth?
Probably that last one.
Sooo, there goes that whole “there are still good people out there” thing. Whomp whomp.
We catch up with Bob, walking down the tracks, stopping when his name is called and finding that the girls have also caught up with him. Hugs are exchanged, and the trio head on down the tracks.
The last shot is one of a Terminus sign and a mangled looking, armoured hand.
It pans out to reveal Glenn, disbelieving hope in his features.
So, naturally, I’m very excited about this whole thing! But, I’m also very nervous. Why, you ask?
Well, see, I’ve been a Glenn/Maggie supporter since they met, and I’ve been terrified ever since. Shows like The Walking Dead and Game of Thrones like to give you the feels before they completely destroy you by killing off your favourite characters. Last season, when Glenn ever so romantically went ring shopping for her and proposed and they got married-ish, I was afraid that one or the other of them was going to bite it. When certain casualties occurred in the comic, I got worried. This season, when Glenn got sick, I was concerned that they might pull a second Downton Abbey and kill off Maggie just because it looked like Glenn was going to die for a moment there.
And now, with them separated but still apparently heading to the same place, to this sanctuary and this promise of survival… I’m really worried that one or both of them won’t make it to the end of the season.
And that would be some bullshit. And I likely wouldn’t watch for much longer if that happened. I already gave zero fucks about Downton after the events of just-past-mid-season-3. I’m not above throwing in the towel for a series when the characters I’m most emotionally invested in get got.
So, because I really do enjoy this stupid show, though, let’s hope that it doesn’t come to that. The current cast is excellent. Yes, even Beth. I appreciate that the showrunners are giving her and Carol more of a presence this season, and that every character, really, is at least getting his or her moment.
So, what do we think will happen this season? Somebody’s not going to make it, and from next episode’s promo, it doesn’t look good for the Tyreese and Carol clan. I’m thinking something happens to one of those little girls. Or maybe Tyreese finally learns about what Carol’s done.
But, I believe that the majority of the group is going to make it to Terminus, and that their independent arrivals, or maybe just the first or the last group’s arrival, with close up the season, kind of on a happy note, but with an ominous feeling just to keep us on our toes. They’ll introduce the leader of Terminus, and in such a way that it leaves us all wondering as to whether he’s a truly benevolent figure, or he’s another Governor waiting to happen.
If we get a Glenn and Maggie reunion, chances are that Abraham will being needling them all towards Washington again.
But, with three episodes left until the finale, something heartbreaking and tragic has to happen, so one of these groups will face a loss. It may be Glenn or Maggie, but I’m hoping that the still fresh loss of Herschel will give the remaining Greene family members a bit of a reprieve. Sasha is now in an interesting place, relationship-wise, with ties to her brother and also to Bob now as a budding romantic interest, so she may be put into the middle of a difficult situation at some point. Plus, the series’ track record with black characters isn’t the best. If Carol’s actions are revealed, and she makes it to the finale, she may end up doing something heroic to redeem herself in the eyes of Tyreese, or to possibly give a last lesson about strength or some bullshit to the girls, so that’s a possibility. But it’s also a bit of a cliche.
Either way, I hope that the cast makes it through, picking up some redshirts on the way so that they’re the marks instead.
Or, really, I just hope that they stop giving Daryl superpowers just because he’s a fan favourite.
Anywho, catch us next week for another installment of “The Walking Recap!”
See you there!
Gotham is back in the news; David Mazouz has been cast as young Bruce Wayne.
I know many of us have been wondering who they would cast in this rather important role. They have chosen to go with a lesser known actor. Mazouz biggest role was on Touch. Bruce Wayne is described as “serious and soulful, and relies on the guidance and protection of Alfred Pennyworth and James Gordon.”
They have also cast actress/dancer Camren Bicondova as young Selina Kyle.
This is a big one for me since Catwoman is my favorite comic book character. Bicondova is mostly a newcomer to the acting world. Selina Kyle is described as “a teenage orphan who is suspicious and wholly unpredictable. She’s a street thief and skilled pickpocket who is dangerous when cornered.” I am happy they mentioned skilled pickpocket because I was guessing that is how her and Bruce Wayne would meet. The fact they are making her an orphan tells me that they might stick to her actual background, because Selina Kyle was a young orphan as well. Her mom killed herself and her father drank himself to death, leaving Selina and her sister Maggie alone.
I have to say that I will be checking this out, since Batman is my favorite DC comic. I am really hoping they do a good job with it, because I will seriously cry if they don’t.